Skip to Main Content
Umbrella Alt Text
header search
Search
Skip Nav Destination

Issues

Volume 68, Issue 3
Spring 2015
Issue Cover
ISSN 0015-1386
EISSN 1533-8630
Contributors
View Articletitled, Contributors
Open the PDF for in another window

From the Editor

On Screen, Off Screen
B. Ruby Rich
View Articletitled, On Screen, Off Screen
Open the PDF for in another window

Features

Cover Your Webcam: Unencrypting Laura Poitras's Citizenfour
Lisa Parks
View Articletitled, Cover Your Webcam<span class="subtitle-colon">: </span><span class="subtitle">Unencrypting Laura Poitras's <em>Citizenfour</em></span>
Open the PDF for in another window
Giving Credit to Paratexts and Parafeminism in Top of the Lake and Orange Is the New Black
Kathleen A. McHugh
View Articletitled, Giving Credit to Paratexts and Parafeminism in <em>Top of the Lake</em> and <em>Orange Is the New Black</em>
Open the PDF for in another window
People are an Excuse to Show Locations: Lisandro Alonso on Jauja
Megan Ratner
View Articletitled, People are an Excuse to Show Locations<span class="subtitle-colon">: </span><span class="subtitle">Lisandro Alonso on <em>Jauja</em></span>
Open the PDF for in another window

Special Dossier on Richard Linklater

Introduction
Peter Lurie
View Articletitled, Introduction
Open the PDF for in another window
“Not in one dream, but in many”: Discipline, Dialogue, and the Cinema of Richard Linklater
David T. Johnson
View Articletitled, “Not in one dream, but in many”<span class="subtitle-colon">: </span><span class="subtitle">Discipline, Dialogue, and the Cinema of Richard Linklater</span>
Open the PDF for in another window
The Holy Moment: Waking Life and Linklater's Sublime Dream Time
Ellen Grabiner
View Articletitled, The Holy Moment<span class="subtitle-colon">: </span><span class="subtitle"><em>Waking Life</em> and Linklater's Sublime Dream Time</span>
Open the PDF for in another window
“Grief Tragically Becoming Comedy”: Time, Tasks, and Storytelling in Linklater's Bernie
Katrina G. Boyd
View Articletitled, “Grief Tragically Becoming Comedy”<span class="subtitle-colon">: </span><span class="subtitle">Time, Tasks, and Storytelling in Linklater's <em>Bernie</em></span>
Open the PDF for in another window
Growing Old Together: Linklater's Before Trilogy in the Twilight Years of Art House Distribution
Maria San Filippo
View Articletitled, Growing Old Together<span class="subtitle-colon">: </span><span class="subtitle">Linklater's <em>Before</em> Trilogy in the Twilight Years of Art House Distribution</span>
Open the PDF for in another window
Digital Déjà Vu: Cinephilia, Loss, and Medial Integrity in Linklater's Before Trilogy
Peter Lurie
View Articletitled, Digital <em>Déjà Vu</em><span class="subtitle-colon">: </span><span class="subtitle">Cinephilia, Loss, and Medial Integrity in Linklater's <em>Before</em> Trilogy</span>
Open the PDF for in another window
About Time: Before Boyhood
Rob Stone
View Articletitled, About Time<span class="subtitle-colon">: </span><span class="subtitle">Before <em>Boyhood</em></span>
Open the PDF for in another window

Columns

The Vulnerable Spectator
The Vulnerable Spectator: The Company I Keep
Amelie Hastie
View Articletitled, The Vulnerable Spectator<span class="subtitle-colon">: </span><span class="subtitle">The Company I Keep</span>
Open the PDF for in another window
Screenings
The Caress of the Camera in the Cinema of Julián Hernández
Paul Julian Smith
View Articletitled, The Caress of the Camera in the Cinema of Julián Hernández
Open the PDF for in another window

Page Views

Historian Cara Caddoo Discusses Envisioning Freedom: Cinema and the Building of Modern Black Life
Regina Longo
View Articletitled, Historian Cara Caddoo Discusses <em>Envisioning Freedom: Cinema and the Building of Modern Black Life</em>
Open the PDF for in another window

Book Reviews

Germaine Dulac: A Cinema of Sensations by Tami Williams
Dana Polan
View Articletitled, <em>Germaine Dulac: A Cinema of Sensations</em> by Tami Williams
Open the PDF for in another window
Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951–1997 by Karina Longworth
Farran Smith Nehme
View Articletitled, <em>Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951–1997</em> by Karina Longworth
Open the PDF for in another window
Hollywood Vault: Film Libraries before Home Video by Eric Hoyt
Joseph Pomp
View Articletitled, <em>Hollywood Vault: Film Libraries before Home Video</em> by Eric Hoyt
Open the PDF for in another window
Tsai Ming-liang and a Cinema of Slowness by Song Hwee Lim: Hou Hsiao-hsien edited by Richard I. Suchenski
Lauren Treihaft
View Articletitled, <em>Tsai Ming-liang and a Cinema of Slowness</em> by Song Hwee Lim<span class="subtitle-colon">: </span><span class="subtitle"><em>Hou Hsiao-hsien</em> edited by Richard I. Suchenski</span>
Open the PDF for in another window
Distribution Revolution: Conversations about the Digital Future of Film and Television edited by Michael Curtin, Jennifer Holt, and Kevin Sanson
Aaron Cutler
View Articletitled, <em>Distribution Revolution: Conversations about the Digital Future of Film and Television</em> edited by Michael Curtin, Jennifer Holt, and Kevin Sanson
Open the PDF for in another window
Decades Never Start on Time: A Richard Roud Anthology edited by Michael Temple and Karen Smolens
Nafis Shafizadeh
View Articletitled, <em>Decades Never Start on Time: A Richard Roud Anthology</em> edited by Michael Temple and Karen Smolens
Open the PDF for in another window
All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
Stay Informed
Sign up for eNews
Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us

Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept