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Issues

Volume 68, Issue 2
Winter 2014
Film Quarterly Cover Image for Volume 68, Issue 2
ISSN 0015-1386
EISSN 1533-8630
Contributors
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From the Editor

Chance Meetings and Metrics, with More to Come
B. Ruby Rich
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Features

The Master's Voice
Claudia Gorbman
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The Western Film and Psychoanalysis
Ben Parker
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Xavier Dolan Gets Respect
Peter Knegt
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The Cinematic Life of the Implosion
Pansy Duncan
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Columns

Screenings
Screenings: Letter from Madrid
Paul Julian Smith
View Articletitled, Screenings<span class="subtitle-colon">: </span><span class="subtitle">Letter from Madrid</span>
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The Vulnerable Spectator
The Vulnerable Spectator: Rhythm and Clues
Amelie Hastie
View Articletitled, The Vulnerable Spectator<span class="subtitle-colon">: </span><span class="subtitle">Rhythm and Clues</span>
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Reports

Amateurs in the Archive: The Northeast Historic Film Symposium
Rebecca Hall
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“Where Is ‘Frankfurt’ Now?”
Amy Villarejo
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Toronto Flexes Muscle
B. Ruby Rich
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Page Views

Writing, Reading, and Appreciating Film Histories: A Conversation with Eric Smoodin and Jon Lewis on The American Film History Reader
Regina Longo
View Articletitled, Writing, Reading, and Appreciating Film Histories<span class="subtitle-colon">: </span><span class="subtitle">A Conversation with Eric Smoodin and Jon Lewis on <em>The American Film History Reader</em></span>
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Book Reviews

On The Wire by Linda Williams
DANA POLAN
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Video Revolutions: On the History of a Medium by Michael Z. Newman
LEO GOLDSMITH
View Articletitled, <em>Video Revolutions: On the History of a Medium</em> by Michael Z. Newman
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The Forms of the Affects by Eugenie Brinkema
JENNIFER PETERSON
View Articletitled, <em>The Forms of the Affects</em> by Eugenie Brinkema
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Fred Zinnemann and the Cinema of Resistance by J. E. Smyth
MICHAEL CIVILLE
View Articletitled, <em>Fred Zinnemann and the Cinema of Resistance</em> by J. E. Smyth
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Self-Projection: The Director's Image in Art Cinema by Linda Haverty Rugg
MARTIN FRADLEY
View Articletitled, <em>Self-Projection: The Director's Image in Art Cinema</em> by Linda Haverty Rugg
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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