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Volume 66, Issue 3

Spring 2013

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Columns
- Platforming
- Screenings
Book Reviews

Features

Global Cinema and Contagion

Aaron Baker

What Do You Believe In? Film Scholarship and the Cultural Politics of the Dark Knight Franchise

Martin Fradley

Camera, Character, Counterplot: On Watching Hitchcock Wrong

Brandon White

Anthropology at Home

J. M. Tyree

Pedro Almodóvar’s Los Amantes Pasajeros (I’m So Excited)

Paul Julian Smith

Rust and Bone

Amelie Hastie

Renoir: Like Father, Like Son?

Paul Thomas

Columns

Platforming

An Illusion Appropriate to the Conditions No (Pablo Larraín, 2012)

Caetlin Benson-Allott

Screenings

Cineteca Nacional, Mexico

Paul Julian Smith

Book Reviews

Book Review: Nicholas Ray: The Glorious Failure of an American Director

David Sterritt

Book Review: Ferocious Reality: Documentary according to Werner Herzog

Richard John Ascárate

Book Review: A Companion to Early Cinema

Edward Dimendberg

Book Review: Ride, Boldly Ride: The Evolution of the American Western

Max Goldberg

Book Review: Lupe Vélez: The Life and Career of Hollywood’s “Mexican Spitfire.”

Kristy Rawson

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Front Matter
Table of Contents

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When Beauty Is in the Eye of the Beholder

Redemption Song: Performing Black History and Masculinity

Sundance on Your Couch

Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects

Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black

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