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Issues

Volume 66, Issue 1
Fall 2012
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

What Is Hauntology?
Mark Fisher
View Articletitled, What Is Hauntology?
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Boardwalk Empire: America Through a Bifocal Lens
Martha P. Nochimson
View Articletitled, <em>Boardwalk Empire</em>: America Through a Bifocal Lens
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Knots in the Head: Interview with Michael Glawogger
Scott MacDonald
View Articletitled, Knots in the Head: Interview with Michael Glawogger
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Eclectic Dialectics: William Klein’s Documentary Method
Des O’Rawe
View Articletitled, Eclectic Dialectics: William Klein’s Documentary Method
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Departments

Madrid Notebook
Spanish Cinema Roundup
Paul Julian Smith
View Articletitled, Spanish Cinema Roundup
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Cannes Notebook
A Sentimental Education
Colin MacCabe
View Articletitled, A Sentimental Education
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Histories
The Story of Film
Edward Buscombe
View Articletitled, The Story of Film
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Intertitles
Going to Extremes
Paul Thomas
View Articletitled, Going to Extremes
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Book Reviews

Book Review: The Cinema of Tarkovsky: Labyrinths of Space and Time by Nariman Skakov | Zona by Geoff Dyer
David Sterritt
View Articletitled, Book Review: <em>The Cinema of Tarkovsky: Labyrinths of Space and Time</em> by Nariman Skakov | <em>Zona</em> by Geoff Dyer
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Book Review: Indie, Inc.: Miramax and the Transformation of Hollywood by Alisa Perren
Christine Smallwood
View Articletitled, Book Review: <em>Indie, Inc.: Miramax and the Transformation of Hollywood</em> by Alisa Perren
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Book Review: America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures by Jerome Christensen
Evan Kindley
View Articletitled, Book Review: <em>America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures</em> by Jerome Christensen
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Book Review: David Lynch by Justus Nieland
Dennis Lim
View Articletitled, Book Review: <em>David Lynch</em> by Justus Nieland
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Book Review: Un-American Psycho: Brian de Palma and the Political Invisible by Chris Dumas
Damon R. Young
View Articletitled, Book Review: <em>Un-American Psycho: Brian de Palma and the Political Invisible</em> by Chris Dumas
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Book Review: Shadows of Doubt: Negotiations of Masculinity in American Genre Films by Barry Keith Grant | Manhood in Hollywood from Bush to Bush by David Greven
Martin Fradley
View Articletitled, Book Review: <em>Shadows of Doubt: Negotiations of Masculinity in American Genre Films</em> by Barry Keith Grant | <em>Manhood in Hollywood from Bush to Bush</em> by David Greven
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Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely
Ryan Cook
View Articletitled, Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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