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Issues

Volume 66, Issue 1
Fall 2012
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

What Is Hauntology?
Mark Fisher
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Boardwalk Empire: America Through a Bifocal Lens
Martha P. Nochimson
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Knots in the Head: Interview with Michael Glawogger
Scott MacDonald
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Eclectic Dialectics: William Klein’s Documentary Method
Des O’Rawe
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Departments

Madrid Notebook

Spanish Cinema Roundup
Paul Julian Smith
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Cannes Notebook

A Sentimental Education
Colin MacCabe
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Histories

The Story of Film
Edward Buscombe
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Intertitles

Going to Extremes
Paul Thomas
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Book Reviews

Book Review: The Cinema of Tarkovsky: Labyrinths of Space and Time by Nariman Skakov | Zona by Geoff Dyer
David Sterritt
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Book Review: Indie, Inc.: Miramax and the Transformation of Hollywood by Alisa Perren
Christine Smallwood
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Book Review: America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures by Jerome Christensen
Evan Kindley
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Book Review: David Lynch by Justus Nieland
Dennis Lim
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Book Review: Un-American Psycho: Brian de Palma and the Political Invisible by Chris Dumas
Damon R. Young
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Book Review: Shadows of Doubt: Negotiations of Masculinity in American Genre Films by Barry Keith Grant | Manhood in Hollywood from Bush to Bush by David Greven
Martin Fradley
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Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely
Ryan Cook
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All Issues
When Beauty Is in the Eye of the Beholder
Redemption Song: Performing Black History and Masculinity
Sundance on Your Couch
Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects
Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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