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Volume 65, Issue 4

Summer 2012

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Comedy of Abandon: Lars von Trier's Melancholia

Marta Figlerowicz

Precarious Dystopias: The Hunger Games, in Time, and Never Let Me Go

Mark Fisher

Film Acting and the Arts of Imitation

James Naremore

Information Managers: The Andromeda Strain and The Man Who Fell to Earth

J. M. Tyree

Several Sides of Errol Morris

Kris Fallon

Departments

Tribute

Remembering Ernest “Chick” Callenbach

Ann Martin; Rob White

Marx and Coca-Cola

Enjoy the Silents

Joshua Clover

Screenings

Scare Quotes

Paul Julian Smith

Platforming

Dangerous Illusions

Caetlin Benson-Allott

Second Time Around

MEDEA

D. A. Miller

Encounter

Interview With Manuel Alberto Claro

Rob White

New York Notebook

Lucian Pintilie: Romania in Focus

Megan Ratner

Histories

Tied Up by Buñuel

Edward Buscombe

Intertitles

Goodbye to All That?

Paul Thomas

Book Reviews

Review: Film: A Very Short Introduction by Michael Wood

Review: Death in Venice: A Queer Film Classic by Will Aitken; Word Is Out: A Queer Film Classic by Greg Youmans; Zero Patience: A Queer Film Classic by Susan Knabe and Wendy Gay Pearson

Review: What Cinema Is! by Dudley Andrew; Opening Bazin: Postwar Film Theory and Its Afterlife ed. Dudley Andrew and Hervé Joubert-Laurencin

Review: Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture by Hilary Radner

Review: Film Criticism as Cultural Fantasy: The Perpetual French Discovery of Australian Cinema by Andrew McGregor

Review: Detour by Noah Isenberg; Siren City: Sound and Source Music in Classical American Noir by Robert Miklitsch; Dark Borders: Film Noir and American Citizenship by Jonathon Auerbach; Film Noir and the Cinema of Paranoia by Wheeler Winston Dixon

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When Beauty Is in the Eye of the Beholder

Redemption Song: Performing Black History and Masculinity

Sundance on Your Couch

Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects

Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black

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