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Volume 65, Issue 3

Spring 2012

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Dangerous Methodology: Interview with David Cronenberg

Megan Ratner

A Dangerous Method: Sight Unseen

Adam Lowenstein

Two Sleeping Beauties

Genevieve Yue

Cave of Forgotten Dreams: Meditations on 3D

Barbara Klinger

Carnage and All: A Discussion

Noah Isenberg; Rob White

Timing and Vulnerability in Three Hitchcock Films

Marta Figlerowicz

Reopening the Matarazzo Case

Erik Bachman; Evan Calder

Departments

Editor's Notebook

Institutionalized

Rob White

Marx and Coca-Cola

Playing By Numbers

Joshua Clover

Screenings

Crisis at an Angle

Paul Julian Smith

Platforming

Generic Imperative

Caetlin Benson-Allott

Thrills

Archive Fighter

J. M. Tyree

Sundance Notebook

Frontlines

B. Ruby Rich

Reconsideration

Work and Play in Existenz

Mark Fisher

A Matter of Life and Death: A.I.

Jonathan Rosenbaum

Intertitles

Charles-Louis D'Ince?

Paul Thomas

Book Reviews

Review: A Companion to Michael Haneke ed. Roy Grundmann

Review: The Hollywood Sign by Leo Braudy

Review: The Foreign Film Renaissance on American Screens 1946–73 by Tino Balio

Review: Global Art Cinema: New Theories and Histories ed. Rosalind Galt and Karl Schoonover

Review: Béla Tarr, le temps d'après by Jacques Rancière; Les écarts du cinéma by Jacques Rancière

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Front Matter
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Back Matter

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Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond

Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin

Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson

Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger

Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy

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