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Volume 65, Issue 3

Spring 2012

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Dangerous Methodology: Interview with David Cronenberg

Megan Ratner

A Dangerous Method: Sight Unseen

Adam Lowenstein

Two Sleeping Beauties

Genevieve Yue

Cave of Forgotten Dreams: Meditations on 3D

Barbara Klinger

Carnage and All: A Discussion

Noah Isenberg, Rob White

Timing and Vulnerability in Three Hitchcock Films

Marta Figlerowicz

Reopening the Matarazzo Case

Erik Bachman, Evan Calder

Departments

Editor's Notebook

Institutionalized

Rob White

Marx and Coca-Cola

Playing By Numbers

Joshua Clover

Screenings

Crisis at an Angle

Paul Julian Smith

Platforming

Generic Imperative

Caetlin Benson-Allott

Thrills

Archive Fighter

J. M. Tyree

Sundance Notebook

Frontlines

B. Ruby Rich

Reconsideration

Work and Play in Existenz

Mark Fisher

A Matter of Life and Death: A.I.

Jonathan Rosenbaum

Intertitles

Charles-Louis D'Ince?

Paul Thomas

Book Reviews

Review: A Companion to Michael Haneke ed. Roy Grundmann

Review: The Hollywood Sign by Leo Braudy

Review: The Foreign Film Renaissance on American Screens 1946–73 by Tino Balio

Review: Global Art Cinema: New Theories and Histories ed. Rosalind Galt and Karl Schoonover

Review: Béla Tarr, le temps d'après by Jacques Rancière; Les écarts du cinéma by Jacques Rancière

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Front Matter
Table of Contents
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Shock Absorber: Wounded Memories and Curative Aesthetics in Mohamed Soueid’s The Insomnia of a Serial Dreamer

Twenty Queers of Madame Satã

A Night of Knowing Nothing: Cinema, Love, and Collective Struggle

The Inclusions and Occlusions of Expanded Refugee Narratives: A Dialogue on Flee

Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne

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