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Issues

Volume 65, Issue 1
Fall 2011
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

A Gray Zone between Documentary and Fiction: Interview with Janus Metz
Gerald Sim
View Articletitled, A Gray Zone between Documentary and Fiction: Interview with Janus Metz
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Sundays with Mildred
Amelie Hastie
View Articletitled, Sundays with Mildred
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Dreamland and Disillusion: Interview with Dai Sil Kim-Gibson
Megan Ratner
View Articletitled, Dreamland and Disillusion: Interview with Dai Sil Kim-Gibson
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Filming the Crisis: A Survey
Jeff Kinkle, Alberto Toscano
View Articletitled, Filming the Crisis: A Survey
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Days of Heaven and Waco: Terrence Malick's The Tree of Life
David Sterritt
View Articletitled, Days of Heaven and Waco: Terrence Malick's <em>The Tree of Life</em>
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Controversy

Debating Black Swan: Gender and Horror
Mark Fisher, Amber Jacobs
View Articletitled, Debating <em>Black Swan</em>: Gender and Horror
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Departments

Editor's NoteBook
Bad Blood
Rob White
View Articletitled, Bad Blood
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Double Take
Gut Crazy
Ben Walters
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Screenings
Beneath the Glamour
Paul Julian Smith
View Articletitled, Beneath the Glamour
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Platforming
Slants of Light
Caetlin Benson-Allott
View Articletitled, Slants of Light
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Reconsideration
Poison: Caviar and Ketchup
Rob White
View Articletitled, <em>Poison</em>: Caviar and Ketchup
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On Digital
Three Endings
Bruce Kawin
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Cannes Notebook
Riviera Eschatology
Colin MacCabe
View Articletitled, Riviera Eschatology
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Warning Signs
Edward Lawrenson
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Turin Notebook
Pope-Shrinking
Geoffrey Nowell-Smith
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Intertitles
Outside the Gates
Paul Thomas
View Articletitled, Outside the Gates
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Book Reviews

Screen Decades
Donald F. Larsson
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Review: The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema, by Paul Henley
Steven Ungar
View Articletitled, Review: <em>The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema</em>, by Paul Henley
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Review: The Imperial Trace: Recent Russian Cinema, by Nancy Condee
Karla Oeler
View Articletitled, Review: <em>The Imperial Trace: Recent Russian Cinema</em>, by Nancy Condee
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Review: On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton, by Bruce Jenkins and Optic Antics: The Cinema of Ken Jacobs, by Michele Pierson, David E. James, and Paul Arthur
David Sterritt
View Articletitled, Review: <em>On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton</em>, by Bruce Jenkins and <em>Optic Antics: The Cinema of Ken Jacobs</em>, by Michele Pierson, David E. James, and Paul Arthur
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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