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Issues

Volume 64, Issue 4
Summer 2011
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Talking Points

Dogtooth: The Family Syndrome
Mark Fisher
View Articletitled, <em>Dogtooth</em>: The Family Syndrome
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Sunset with Chainsaw
Evan Calder Williams
View Articletitled, Sunset with Chainsaw
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Features

Films of the Year, 2010
James Naremore
View Articletitled, Films of the Year, 2010
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Learning About Time: An Interview with Apichatpong Weerasethakul
Ji-Hoon Kim
View Articletitled, Learning About Time: An Interview with Apichatpong Weerasethakul
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Fatih Akin's Cinema of Intersections
Noah Isenberg
View Articletitled, Fatih Akin's Cinema of Intersections
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Editor's NoteBook

Into the Past
Rob White
View Articletitled, Into the Past
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Double Take

Talking Cure
Ben Walters
View Articletitled, Talking Cure
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Screenings

Egyptian Stories
Paul Julian Smith
View Articletitled, Egyptian Stories
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Platforming

Cinema's New Appendages
Caetlin Benson-Allott
View Articletitled, Cinema's New Appendages
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On Digital

Searching for Somewhere
J. M. Tyree
View Articletitled, Searching for <em>Somewhere</em>
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Reconsideration

Dovzhenko: Folk Tale and Revolution
Gilberto Perez
View Articletitled, Dovzhenko: Folk Tale and Revolution
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Tokyo Notebook

Thresholds
Ryan Cook
View Articletitled, Thresholds
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Berlin Notebook

Edge of Darkness
Edward Lawrenson
View Articletitled, Edge of Darkness
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From 3D to Mumblecore
Brigitta B. Wagner
View Articletitled, From 3D to Mumblecore
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Intertitles

Witchcraft
Paul Thomas
View Articletitled, Witchcraft
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Book Reviews

Review: Moving Viewers: American Film and the Spectator's Experience by Carl Plantinga; Violent Affect: Literature, Cinema, and Critique After Representation by Marco Abel; Doubting Vision: Film and the Revelationist Tradition by Malcolm Turvey
View Articletitled, Review: <em>Moving Viewers: American Film and the Spectator's Experience</em> by Carl Plantinga; <em>Violent Affect: Literature, Cinema, and Critique After Representation</em> by Marco Abel; <em>Doubting Vision: Film and the Revelationist Tradition</em> by Malcolm Turvey
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Review: Shell Shock Cinema: Weimar Culture and the Wounds of War by Anton Kaes; Weimar Cinema: An Essential Guide to Classic Films of the Era, ed. Noah Isenberg
View Articletitled, Review: <em>Shell Shock Cinema: Weimar Culture and the Wounds of War</em> by Anton Kaes; <em>Weimar Cinema: An Essential Guide to Classic Films of the Era</em>, ed. Noah Isenberg
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Review: The Sopranos by Dana Polan
View Articletitled, Review: <em>The Sopranos</em> by Dana Polan
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Review: Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre by Dennis Bingham
View Articletitled, Review: <em>Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre</em> by Dennis Bingham
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Review: The Tactile Eye: Touch and the Cinematic Experience by Jennifer Barker
View Articletitled, Review: <em>The Tactile Eye: Touch and the Cinematic Experience</em> by Jennifer Barker
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All Issues
Orlando, Desire Lines: In Search of a t4t Documentary Practice
Everything Begins in the Middle: Xala and Futurity
Sembene, Vieyra, and the Making of Xala
“We Have So Many Stories and Not Much Time”: An Interview with Iryna Tsilyk
A Path into Filmmaking, the Cayuga Language, and Fancy Dance: An Interview with Erica Tremblay
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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