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Volume 64, Issue 3

Spring 2011

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Rules of the Road: The Traveling Films of Hiroshi Shimizu

Ryan Cook

Rossellini's Pictorial Histories

David Forgacs

The Lost Unconscious: Delusions and Dreams in Inception

Mark Fisher

The Dislike Button

J. M. Tyree

Departments

Editor's NoteBook

Homesickness

Rob White

Marx and Coca-Cola

The Looking Class

Joshua Clover

Screenings

10 O'Clock Staying Power

Paul Julian Smith

Second Time Around

TOBY DAMMIT

D. A. Miller

Platforming

The Algorithmic Spectator

Caetlin Benson-Allott

Paris Notebook

Of Gods and Humanitarians

David Nowell-Smith

Sundance Notebook

Park City Remix

B. RUBY RICH

Encounter

Interview with Andrei Ujică

Rob White

Intertitles

Gary Giddins, Cinephile

Paul Thomas

Book Reviews

Review: Firestorm: American Film in the Age of Terrorism by Stephen Prince

Review: The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero by Ernest Mathijs; David Cronenberg: Author or Filmmaker? by Mark browning

Review: It's the Pictures that Got Small: Hollywood Film Stars on 1950s Television by Christine Becker

Review: Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema by Adrienne L. McLean

Review: What is Cinema? by André Bazin

Review: Digital Baroque: New Media Art and Cinematic Folds by Timothy Murray

Review: Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood by Jennifer E. Langdon

Rebecca Prime

Review: Mining the Home Movie: Excavations in Histories and Memories, ed. Karen L. Ishizuka and Patricia R. Zimmermann

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Front Matter
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When Beauty Is in the Eye of the Beholder

Redemption Song: Performing Black History and Masculinity

Sundance on Your Couch

Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects

Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black

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