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Issues

Volume 64, Issue 2
Winter 2010
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Talking Points

Oshima Revisited
Geoffrey Nowell-Smith
View Articletitled, Oshima Revisited
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The Art of Distribution: Video on Demand
Lucas Hilderbrand
View Articletitled, The Art of Distribution: Video on Demand
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Near Dark: An Appreciation
Leo Braudy
View Articletitled, <em>Near Dark</em>: An Appreciation
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Features

Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow's Cinema
Caetlin Benson-Allott
View Articletitled, Undoing Violence: Politics, Genre, and Duration in Kathryn Bigelow's Cinema
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Ghost of the Fields: An Interview with Patrick Keiller
Nina Power
View Articletitled, Ghost of the Fields: An Interview with Patrick Keiller
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Avant-Doc: Eight Intersections
Scott MacDonald
View Articletitled, Avant-Doc: Eight Intersections
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Visionary Television: World on a Wire and Artemis 81
Mark Fisher
View Articletitled, Visionary Television: <em>World on a Wire and Artemis 81</em>
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Departments

Editor's NoteBook
Cristi Puiu Discusses Aurora
Rob White
View Articletitled, Cristi Puiu Discusses <em>Aurora</em>
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Marx and Coca-Cola
An American Video
Joshua Clover
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New York Notebook
Pesos, Paparazzo, Pastry, Painting
William Johnson
View Articletitled, Pesos, Paparazzo, Pastry, Painting
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Screenings
At the Edge of History
Paul Julian Smith
View Articletitled, At the Edge of History
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Second Time Around
In Memoriam: The French Hitchcock
D. A. Miller
View Articletitled, In Memoriam: The French Hitchcock
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Bedsit Cinema
Amnesias of Murder: Mother
Nataša Ďurovlčová, Garrett Stewart
View Articletitled, Amnesias of Murder: <em>Mother</em>
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Festival Notebook
Wrocław, Reykjavik
Edward Lawrenson
View Articletitled, Wrocław, Reykjavik
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London Notebook
Disaster Movies
Alberto Toscano
View Articletitled, Disaster Movies
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Encounter
Interview with Olivier Assayas
Rob White
View Articletitled, Interview with Olivier Assayas
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Intertitles
Cahiers Jaunes
Paul Thomas
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Book Reviews

Four Books About Terrence Malick
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Review: Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping. by Noël Carroll; City Lights. by Charles J. Maland
View Articletitled, Review: <em>Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping</em>. by Noël Carroll; <em>City Lights</em>. by Charles J. Maland
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Review: Sex and the City. by Deborah Jermyn; Beautiful TV: The Art and Argument of “Ally McBeal”. by Greg M. Smith
View Articletitled, Review: <em>Sex and the City</em>. by Deborah Jermyn; <em>Beautiful TV: The Art and Argument of “Ally McBeal”</em>. by Greg M. Smith
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Review: Screening Sex. by Linda Williams
View Articletitled, Review: <em>Screening Sex</em>. by Linda Williams
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Review: Machine-Age Comedy. by Michael North
View Articletitled, Review: <em>Machine-Age Comedy</em>. by Michael North
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Review: Fight Pictures: A History of Boxing and Early Cinema. by Dan Streible
View Articletitled, Review: <em>Fight Pictures: A History of Boxing and Early Cinema</em>. by Dan Streible
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Review: Indiewood, USA: Where Hollywood Meets Independent Cinema. by Geoff King
View Articletitled, Review: <em>Indiewood, USA: Where Hollywood Meets Independent Cinema</em>. by Geoff King
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All Issues
Baby Mine: Dumbo and Black Resonance
Transatlantic Crossings: Madubuko Diakité and Black Radical Documentary
Millennial Messiahs, Female Fixers, and Corporate Boards: Workplace Power Dynamics in Tech TV Dramas
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre
Viola’s Body: On the Erotic as Power in the Action Film
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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