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Volume 64, Issue 1

Fall 2010

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Talking Points
Features
Departments
Book Reviews

Talking Points

Alone on Elm Street

Adam Lowenstein

Treme vs. The Bad Lieutenant

J. M. Tyree

Features

Desire and Technology: An Interview with Atom Egoyan

Emma Wilson

Sad Times: An Interview with Elia Suleiman

Rob White

Solidarity Not Identification: Straub-Huillet's Radical Cinema

Mark Fisher

Departments

Editor's NoteBook

The Kraken Wakes

Marx and Coca-Cola

Empire of the Father

New York Notebook

Curiosities

William Johnson

Screenings

Men in Trouble

Paul Julian Smith

Nonfictions

My Country, My Country and The Oath

Megan Ratner

Tribeca Notebook

Tears in the Neighborhood

Richard Beck

Cannes Notebook

Jobs Well Done

Edward Lawrenson

An Amorous Catfish

Colin MacCabe

Bologna NoteBook

Protean Adventures

Laura Horak

Intertitles

Realms of Gold

Book Reviews

Contemporary Film Directors

Digital Time: Recent Work in Film Theory

Review: The Essential HBO Reader ed. Gary R. Edgerton and Jeffrey P. Jones; It's Not TV: Watching HBO in the Post-Television Era ed. Marc Leverette, Brian L. Ott, and Cara Louise Buckley

Review: Interrogating Postfeminism: Gender and the Politics of Culture ed. Yvonne Tasker and Diane Negra

Review: Oscar Micheaux: The Great and Only——The Life of America's First Black Filmmaker by Patrick McGilligan

Review: D. W. Griffith's ““The Birth of a Nation””: A History of ““The Most Controversial Motion Picture of All Time”” by Melvyn Stokes

Review: The Decline of Sentiment: American Film in the 1920s by Lea Jacobs

Review: French Colonial Documentary: Mythologies of Humanitarianism by Peter J. Bloom

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When Beauty Is in the Eye of the Beholder

Redemption Song: Performing Black History and Masculinity

Sundance on Your Couch

Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects

Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black

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