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Issues

Volume 63, Issue 3
Spring 2010
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

Festival Special: Morelia, Mexico
Paul Julian Smith
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Once Grazing, Now Gone: Sweetgrass
Megan Ratner
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Restoring Broken Embraces
Marsha Kinder
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Indonesia in Motion: An Interview With Leonard Retel Helmrich
Scott MacDonald
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Blood and Sugar: The Films of Dušan Makavejev
Nina Power
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Departments

Editor's Notebook
Only Connect
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Marx and Coca-Cola
The Struggle for Space
Joshua Clover
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New York Notebook
Ringside in the Wings
William Johnson
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Talking Points
Brown vs. Brawne: Bright Star
Paul Thomas
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The Lonely Road
Mark Fisher
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Pordenone Notebook
What's New?
Linda Williams
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Avant-Garde
Things Said Again
Danny Birchall
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Nonfictions
Screen Memory in Waltz With Bashir
Garrett Stewart
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Reprogramming
Costing Planet Earth
Richard Beck
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Intertitles
Lovely Day for a Necktie Party
Paul Thomas
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Book Reviews

Review: Otto Preminger: The Man Who Would Be King, by Foster Hirsch and The World and Its Double: The Life and Work of Otto Preminger, by Chris Fujiwara
David Steritt
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Review: The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten, by Gerald Horne and “Un-American” Hollywood: Politics and Film in the Blacklist Era, by Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield
Joanna E. Rapf
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Review: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema, by Daniel Bernardi and Cinematic Identity: Anatomy of a Problem Film, by Cindy Patton
Martin Fradley
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Review: Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing, by Kathryn H. Fuller-Seeley
Michael Aronson
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Review: Nickelodeon City: Pittsburgh at the Movies, 1905–1929, by Michael Aronson
Francis G. Couvares
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Review: How the West Was Sung: Music in the Westerns of John Ford, by Kathryn Kalinak
David Laderman
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Review: Edgar G. Ulmer: Detour on Poverty Row, by Gary D. Rhodes
Noah Isenberg
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Review: Performing Illusions: Cinema, Special Effects and the Virtual Actor, by Dan North
Elizabeth A. Lathrop
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Review: Body Shots: Early Cinema's Incarnations, by Jonathan Auerbach
Alex Kupfer
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Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, by Jeffrey Sconce and Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre, by Robert Spadoni
Martin Fradley
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All Issues
Phantasms of Dissent: Hong Kong’s New Documentary Vernacular
Colombia Enchanted in Memoria and Encanto
Arts of Healing: Tsai Ming-liang’s Days
Death by the Numbers: Factory Farms as Allegories in Cow and Gunda
Women Auteurs, Western Promises
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2022
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