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Volume 63, Issue 3

Spring 2010

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Festival Special: Morelia, Mexico

Paul Julian Smith

Once Grazing, Now Gone: Sweetgrass

Megan Ratner

Restoring Broken Embraces

Marsha Kinder

Indonesia in Motion: An Interview With Leonard Retel Helmrich

Scott MacDonald

Blood and Sugar: The Films of Duššan Makavejev

Nina Power

Departments

Editor's Notebook

Only Connect

Marx and Coca-Cola

The Struggle for Space

Joshua Clover

New York Notebook

Ringside in the Wings

William Johnson

Talking Points

Brown vs. Brawne: Bright Star

Paul Thomas

The Lonely Road

Mark Fisher

Pordenone Notebook

What's New??

Linda Williams

Avant-Garde

Things Said Again

Danny Birchall

Nonfictions

Screen Memory in Waltz With Bashir

Garrett Stewart

Reprogramming

Costing Planet Earth

Richard Beck

Intertitles

Lovely Day for a Necktie Party

Paul Thomas

Book Reviews

Review: Otto Preminger: The Man Who Would Be King by Foster Hirsch; The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

Review: The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten by Gerald Horne; ““Un-American”” Hollywood: Politics and Film in the Blacklist Era, ed. Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield

Review: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema, ed. Daniel Bernardi; Cinematic Identity: Anatomy of a Problem Film by Cindy Patton

Review: Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing, ed. Kathryn H. Fuller-Seeley

Review: Nickelodeon City: Pittsburgh at the Movies, 1905––1929 by Michael Aronson

Review: How the West Was Sung: Music in the Westerns of John Ford by Kathryn Kalinak

Review: Edgar G. Ulmer: Detour on Poverty Row, ed.Gary D. Rhodes

Review: Performing Illusions: Cinema, Special Effects and the Virtual Actor by Dan North

Review: Body Shots: Early Cinema's Incarnations by Jonathan Auerbach

Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, ed. Jeffrey Sconce; Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre by Robert Spadoni

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“A Few Years from Now” in Western Pernambuco: Bacurau’s Vision of the Future

Bacurau as Science-Fiction Revenge Fantasy

The Hidden Labor of Civil Rights: An Interview with Dawn Porter

Pluriversal Brazil: A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine

Melodrama, Telenovela, and the New Latin American Women’s Picture

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