Issues

Features

Festival Special: Morelia, Mexico

Paul Julian Smith

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Once Grazing, Now Gone: Sweetgrass

Megan Ratner

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Restoring Broken Embraces

Marsha Kinder

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Indonesia in Motion: An Interview With Leonard Retel Helmrich

Scott MacDonald

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Blood and Sugar: The Films of Duššan Makavejev

Nina Power

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Departments

Editor's Notebook

Only Connect

Rob White

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Marx and Coca-Cola

The Struggle for Space

Joshua Clover

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New York Notebook

Ringside in the Wings

William Johnson

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Talking Points

Brown vs. Brawne: Bright Star

Paul Thomas

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The Lonely Road

Mark Fisher

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Pordenone Notebook

What's New??

Linda Williams

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Avant-Garde

Things Said Again

Danny Birchall

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Nonfictions

Screen Memory in Waltz With Bashir

Garrett Stewart

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Reprogramming

Costing Planet Earth

Richard Beck

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Intertitles

Lovely Day for a Necktie Party

Paul Thomas

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Book Reviews

Review: Otto Preminger: The Man Who Would Be King by Foster Hirsch; The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

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Review: The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten by Gerald Horne; ““Un-American”” Hollywood: Politics and Film in the Blacklist Era, ed. Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield

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Review: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema, ed. Daniel Bernardi; Cinematic Identity: Anatomy of a Problem Film by Cindy Patton

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Review: Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing, ed. Kathryn H. Fuller-Seeley

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Review: Nickelodeon City: Pittsburgh at the Movies, 1905––1929 by Michael Aronson

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Review: How the West Was Sung: Music in the Westerns of John Ford by Kathryn Kalinak

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Review: Edgar G. Ulmer: Detour on Poverty Row, ed.Gary D. Rhodes

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Review: Performing Illusions: Cinema, Special Effects and the Virtual Actor by Dan North

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Review: Body Shots: Early Cinema's Incarnations by Jonathan Auerbach

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Review: Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, ed. Jeffrey Sconce; Uncanny Bodies: The Coming of Sound and the Origins of the Horror Genre by Robert Spadoni

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