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Issues

Volume 63, Issue 2
Winter 2009
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
Nina Power
View Articletitled, Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
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Warm-Blooded: True Blood and Let the Right One In
J. M. Tyree
View Articletitled, Warm-Blooded: <em>True Blood</em> and <em>Let the Right One In</em>
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A Subtle Story: 35 Shots of Rum
Yvette Bíró
View Articletitled, A Subtle Story: <em>35 Shots of Rum</em>
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Romancing the Father in Claire Denis's 35 Shots of Rum
James S. Williams
View Articletitled, Romancing the Father in Claire Denis's <em>35 Shots of Rum</em>
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Departments

Editor's Notebook
Fugitive Expressions
View Articletitled, Fugitive Expressions
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Marx and Coca-Cola
Allegory Bomb
Joshua Clover
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New York Notebook
Going Offbeat
William Johnson
View Articletitled, Going Offbeat
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Second Time Around
The H-Man vs. Liquid Human
D. A. Miller
View Articletitled, <em>The H-Man</em> vs. <em>Liquid Human</em>
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Talking Point
Debating Inglourious Basterds
Ben Walters
View Articletitled, Debating <em>Inglourious Basterds</em>
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Manhattan Notebook
Uneasy Dreams
Paul Julian Smith
View Articletitled, Uneasy Dreams
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Encounter
Interview With Pedro Costa
James Hansen
View Articletitled, Interview With Pedro Costa
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Telluride Notebook
Hotel Colorado
Damon Young
View Articletitled, Hotel Colorado
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Bedsit Cinema
The Baader Meinhof Complex
Christina Gerhardt
View Articletitled, <em>The Baader Meinhof Complex</em>
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Nonfictions
Catcalling
Mark Sinker
View Articletitled, Catcalling
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Reconsideration
Le Plaisir: “La Maison Tellier”
V. F. Perkins
View Articletitled, <em>Le Plaisir</em>: “La Maison Tellier”
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Intertitles
Runaways
Paul Thomas
View Articletitled, Runaways
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Book Reviews

Six Books About Scorsese
David Sterritt
View Articletitled, Six Books About Scorsese
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Review: The Virtual Window: From Alberti to Microsoft, by Anne Friedberg
John Belton
View Articletitled, Review: <em>The Virtual Window: From Alberti to Microsoft</em>, by Anne Friedberg
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Review: Celluloid Vampires: Life After Death in the Modern World, by Stacey Abbott and The Hollywood Horror Film 1931–1941: Madness in a Social Landscape, by Reynold Humphries
Martin Fradley
View Articletitled, Review: <em>Celluloid Vampires: Life After Death in the Modern World</em>, by Stacey Abbott and <em>The Hollywood Horror Film 1931–1941: Madness in a Social Landscape</em>, by Reynold Humphries
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Review: Mae West: It Ain’t No Sin. 2nd edition, by Simon Louvish and Johnny Depp Starts Here, by Murray Pomerance
Cynthia Baron, Beckett Warren
View Articletitled, Review: <em>Mae West: It Ain’t No Sin. 2nd edition</em>, by Simon Louvish and <em>Johnny Depp Starts Here</em>, by Murray Pomerance
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Review: Kitano Takeshi, by Aaron Gerow
Darrell William Davis
View Articletitled, Review: <em>Kitano Takeshi</em>, by Aaron Gerow
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Review: Harnessing the Technicolor Rainbow: Color Design in the 1930s, by Scott Higgins
Gorham “Hap” Kindem
View Articletitled, Review: <em>Harnessing the Technicolor Rainbow: Color Design in the 1930s</em>, by Scott Higgins
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Review: Cinema and Sensation: French Film and the Art of Transgression, by Martine Beugnet
Hunter Vaughan
View Articletitled, Review: <em>Cinema and Sensation: French Film and the Art of Transgression</em>, by Martine Beugnet
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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