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Issues

Volume 63, Issue 2
Winter 2009
Film Quarterly Cover Image for Volume 63, Issue 2
ISSN 0015-1386
EISSN 1533-8630

Features

Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
Nina Power
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Warm-Blooded: True Blood and Let the Right One In
J. M. Tyree
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A Subtle Story: 35 Shots of Rum
Yvette Bíró
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Romancing the Father in Claire Denis's 35 Shots of Rum
James S. Williams
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Departments

Editor's Notebook
Fugitive Expressions
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Marx and Coca-Cola
Allegory Bomb
Joshua Clover
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New York Notebook
Going Offbeat
William Johnson
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Second Time Around
The H-Man vs. Liquid Human
D. A. Miller
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Talking Point
Debating Inglourious Basterds
Ben Walters
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Manhattan Notebook
Uneasy Dreams
Paul Julian Smith
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Encounter
Interview With Pedro Costa
James Hansen
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Telluride Notebook
Hotel Colorado
Damon Young
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Bedsit Cinema
The Baader Meinhof Complex
Christina Gerhardt
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Nonfictions
Catcalling
Mark Sinker
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Reconsideration
Le Plaisir: “La Maison Tellier”
V. F. Perkins
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Intertitles
Runaways
Paul Thomas
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Book Reviews

Six Books About Scorsese
David Sterritt
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Review: The Virtual Window: From Alberti to Microsoft, by Anne Friedberg
John Belton
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Review: Celluloid Vampires: Life After Death in the Modern World, by Stacey Abbott and The Hollywood Horror Film 1931–1941: Madness in a Social Landscape, by Reynold Humphries
Martin Fradley
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Review: Mae West: It Ain’t No Sin. 2nd edition, by Simon Louvish and Johnny Depp Starts Here, by Murray Pomerance
Cynthia Baron, Beckett Warren
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Review: Kitano Takeshi, by Aaron Gerow
Darrell William Davis
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Review: Harnessing the Technicolor Rainbow: Color Design in the 1930s, by Scott Higgins
Gorham “Hap” Kindem
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Review: Cinema and Sensation: French Film and the Art of Transgression, by Martine Beugnet
Hunter Vaughan
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All Issues
Of Lesbians and Werewolves: The Queer Intersectionality of Good Manners
Censorship, A Hurt Story: Hindutva and Populism in Post-Economic Liberalization India
The Art and History of Movie Novelizations
Defying Tyranny: Achieving Political Escape Velocity with Wicked
Reassessing the Butt Shot: Feminism Versus Spectacle in The Substance and Anora
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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