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Volume 63, Issue 2

Winter 2009

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Why Do Some Images Begin to Tremble?? Cinema Revisits Militant Politics

Nina Power

Warm-Blooded: True Blood and Let the Right One In

J. M. Tyree

A Subtle Story: 35 Shots of Rum

Yvette Bííróó

Romancing the Father in Claire Denis's 35 Shots of Rum

James S. Williams

Departments

Editor's Notebook

Fugitive Expressions

Marx and Coca-Cola

Allegory Bomb

Joshua Clover

New York Notebook

Going Offbeat

William Johnson

Second Time Around

The H-Man vs. Liquid Human

D. A. Miller

Talking Point

Debating Inglourious Basterds

Ben Walters

Manhattan Notebook

Uneasy Dreams

Paul Julian Smith

Encounter

Interview With Pedro Costa

James Hansen

Telluride Notebook

Hotel Colorado

Damon Young

Bedsit Cinema

The Baader Meinhof Complex

Christina Gerhardt

Nonfictions

Catcalling

Mark Sinker

Reconsideration

Le Plaisir: ““La Maison Tellier””

V. F. Perkins

Intertitles

Runaways

Paul Thomas

Book Reviews

Six Books About Scorsese

Review: The Virtual Window: From Alberti to Microsoft. by Anne Friedberg

Review: Celluloid Vampires: Life After Death in the Modern World. by Stacey Abbott; The Hollywood Horror Film 1931–1941: Madness in a Social Landscape. by Reynold Humphries

Review: Mae West: It Ain’t No Sin. 2nd edition. by Simon Louvish; Johnny Depp Starts Here. by Murray Pomerance

Review: Kitano Takeshi. by Aaron Gerow

Review: Harnessing the Technicolor Rainbow: Color Design in the 1930s. by Scott Higgins

Review: Cinema and Sensation: French Film and the Art of Transgression. by Martine Beugnet

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Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond

Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin

Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson

Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger

Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy

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