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Issues

Volume 63, Issue 2
Winter 2009
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Features

Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
Nina Power
View Articletitled, Why Do Some Images Begin to Tremble? Cinema Revisits Militant Politics
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Warm-Blooded: True Blood and Let the Right One In
J. M. Tyree
View Articletitled, Warm-Blooded: <em>True Blood</em> and <em>Let the Right One In</em>
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A Subtle Story: 35 Shots of Rum
Yvette Bíró
View Articletitled, A Subtle Story: <em>35 Shots of Rum</em>
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Romancing the Father in Claire Denis's 35 Shots of Rum
James S. Williams
View Articletitled, Romancing the Father in Claire Denis's <em>35 Shots of Rum</em>
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Departments

Editor's Notebook
Fugitive Expressions
View Articletitled, Fugitive Expressions
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Marx and Coca-Cola
Allegory Bomb
Joshua Clover
View Articletitled, Allegory Bomb
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New York Notebook
Going Offbeat
William Johnson
View Articletitled, Going Offbeat
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Second Time Around
The H-Man vs. Liquid Human
D. A. Miller
View Articletitled, <em>The H-Man</em> vs. <em>Liquid Human</em>
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Talking Point
Debating Inglourious Basterds
Ben Walters
View Articletitled, Debating <em>Inglourious Basterds</em>
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Manhattan Notebook
Uneasy Dreams
Paul Julian Smith
View Articletitled, Uneasy Dreams
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Encounter
Interview With Pedro Costa
James Hansen
View Articletitled, Interview With Pedro Costa
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Telluride Notebook
Hotel Colorado
Damon Young
View Articletitled, Hotel Colorado
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Bedsit Cinema
The Baader Meinhof Complex
Christina Gerhardt
View Articletitled, <em>The Baader Meinhof Complex</em>
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Nonfictions
Catcalling
Mark Sinker
View Articletitled, Catcalling
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Reconsideration
Le Plaisir: “La Maison Tellier”
V. F. Perkins
View Articletitled, <em>Le Plaisir</em>: “La Maison Tellier”
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Intertitles
Runaways
Paul Thomas
View Articletitled, Runaways
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Book Reviews

Six Books About Scorsese
David Sterritt
View Articletitled, Six Books About Scorsese
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Review: The Virtual Window: From Alberti to Microsoft, by Anne Friedberg
John Belton
View Articletitled, Review: <em>The Virtual Window: From Alberti to Microsoft</em>, by Anne Friedberg
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Review: Celluloid Vampires: Life After Death in the Modern World, by Stacey Abbott and The Hollywood Horror Film 1931–1941: Madness in a Social Landscape, by Reynold Humphries
Martin Fradley
View Articletitled, Review: <em>Celluloid Vampires: Life After Death in the Modern World</em>, by Stacey Abbott and <em>The Hollywood Horror Film 1931–1941: Madness in a Social Landscape</em>, by Reynold Humphries
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Review: Mae West: It Ain’t No Sin. 2nd edition, by Simon Louvish and Johnny Depp Starts Here, by Murray Pomerance
Cynthia Baron, Beckett Warren
View Articletitled, Review: <em>Mae West: It Ain’t No Sin. 2nd edition</em>, by Simon Louvish and <em>Johnny Depp Starts Here</em>, by Murray Pomerance
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Review: Kitano Takeshi, by Aaron Gerow
Darrell William Davis
View Articletitled, Review: <em>Kitano Takeshi</em>, by Aaron Gerow
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Review: Harnessing the Technicolor Rainbow: Color Design in the 1930s, by Scott Higgins
Gorham “Hap” Kindem
View Articletitled, Review: <em>Harnessing the Technicolor Rainbow: Color Design in the 1930s</em>, by Scott Higgins
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Review: Cinema and Sensation: French Film and the Art of Transgression, by Martine Beugnet
Hunter Vaughan
View Articletitled, Review: <em>Cinema and Sensation: French Film and the Art of Transgression</em>, by Martine Beugnet
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All Issues
The Transformers: How Chan Is Missing Led to Better Luck Tomorrow Led to Everything Everywhere All at Once
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema
“A Hand to Your Darkness”: Laura Poitras Meets Nan Goldin
Empowerment by Design: On Not Depicting Sexual Assault in Film
Film Festivals in Winter
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2023
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