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Volume 63, Issue 2

Winter 2009

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Features
Departments
Book Reviews

Features

Why Do Some Images Begin to Tremble?? Cinema Revisits Militant Politics

Nina Power

Abstract

Warm-Blooded: True Blood and Let the Right One In

J. M. Tyree

Abstract

A Subtle Story: 35 Shots of Rum

Yvette Bííróó

Abstract

Romancing the Father in Claire Denis's 35 Shots of Rum

James S. Williams

Abstract

Departments

Editor's Notebook

Fugitive Expressions

Rob White

Marx and Coca-Cola

Allegory Bomb

Joshua Clover

New York Notebook

Going Offbeat

William Johnson

Second Time Around

The H-Man vs. Liquid Human

D. A. Miller

Talking Point

Debating Inglourious Basterds

Ben Walters

Manhattan Notebook

Uneasy Dreams

Paul Julian Smith

Encounter

Interview With Pedro Costa

James Hansen

Telluride Notebook

Hotel Colorado

Damon Young

Bedsit Cinema

The Baader Meinhof Complex

Christina Gerhardt

Nonfictions

Catcalling

Mark Sinker

Reconsideration

Le Plaisir: ““La Maison Tellier””

V. F. Perkins

Intertitles

Runaways

Paul Thomas

Book Reviews

Six Books About Scorsese

Review: The Virtual Window: From Alberti to Microsoft. by Anne Friedberg

Review: Celluloid Vampires: Life After Death in the Modern World. by Stacey Abbott; The Hollywood Horror Film 1931–1941: Madness in a Social Landscape. by Reynold Humphries

Review: Mae West: It Ain’t No Sin. 2nd edition. by Simon Louvish; Johnny Depp Starts Here. by Murray Pomerance

Review: Kitano Takeshi. by Aaron Gerow

Review: Harnessing the Technicolor Rainbow: Color Design in the 1930s. by Scott Higgins

Review: Cinema and Sensation: French Film and the Art of Transgression. by Martine Beugnet

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Documentary Resistance: The Stories of “We Tell” as Collective Political Agency

Paris in the Dark: A Conversation with Eric Smoodin

Show People: A History of the Film Star by Michael Newton

Playing Nature: Ecology in Video Games by Alenda Y. Chang

Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture by Jeff Menne

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