Skip Nav Destination

Issues

Select Decade

Select Year

Issue

Volume 63, Issue 1

Fall 2009

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Articles
Departments
Book Reviews

Articles

Rohmer's Salon

Leo Bersani; Ulysse Dutoit

Abstract

View Article

PDF

A Handful of World: The Films of Peter Thompson —— An Introduction and Interview

Jonathan Rosenbaum

Abstract

View Article

PDF

Imamura Revisited

Donald Richie

Abstract

View Article

PDF

Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene

Abéé Mark Nornes

Abstract

View Article

PDF

L.A.'s Hipster Cinema

David E. James

Abstract

View Article

PDF

Departments

Editor's Notebook

Against Nature

View Article

PDF

Marx and Coca-Cola

The Future in Labor

Joshua Clover

View Article

PDF

New York Notebook

Surviving

William Johnson

View Article

PDF

Talking Point

The Avant-Garde Archive Online

Danny Birchall

View Article

PDF

Reconsideration

Le Plaisir: ““The Mask”” and ““The Model””

V. F. Perkins

View Article

PDF

Cannes Notebook

A Very Good Year

Colin Maccabe

View Article

PDF

San Francisco Notebook

Work Aesthetic

Lalitha Gopalan

View Article

PDF

Intertitles

Listing to Starboard

Paul Thomas

View Article

PDF

Book Reviews

Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus

View Article

PDF

Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow

View Article

PDF

Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama

View Article

PDF

Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare

View Article

PDF

Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.

View Article

PDF

Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch

View Article

PDF

Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.

View Article

PDF

Cover Image

Cover Image
Front Matter
Table of Contents

All Issues

Email alerts

Latest Issue Alert

Latest
Most Read
Most Cited

Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond

Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin

Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson

Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger

Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy

Articles

Rohmer's Salon

A Handful of World: The Films of Peter Thompson —— An Introduction and Interview

Imamura Revisited

Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene

L.A.'s Hipster Cinema

Departments

Editor's Notebook

Against Nature

Marx and Coca-Cola

The Future in Labor

New York Notebook

Surviving

Talking Point

The Avant-Garde Archive Online

Reconsideration

Le Plaisir: ““The Mask”” and ““The Model””

Cannes Notebook

A Very Good Year

San Francisco Notebook

Work Aesthetic

Intertitles

Listing to Starboard

Book Reviews

Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus

Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow

Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama

Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare

Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.

Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch

Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.

Email alerts

Stay Informed

Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us

Issues

Articles

Departments

Editor's Notebook

Marx and Coca-Cola

New York Notebook

Talking Point

Reconsideration

Cannes Notebook

San Francisco Notebook

Intertitles

Book Reviews

Cover Image

Email alerts

Stay Informed

Products

This Feature Is Available To Subscribers Only