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Volume 63, Issue 1

Fall 2009

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Articles
Departments
Book Reviews

Articles

Rohmer's Salon

Leo Bersani; Ulysse Dutoit

Abstract

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A Handful of World: The Films of Peter Thompson —— An Introduction and Interview

Jonathan Rosenbaum

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Imamura Revisited

Donald Richie

Abstract

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Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene

Abéé Mark Nornes

Abstract

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L.A.'s Hipster Cinema

David E. James

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Departments

Editor's Notebook

Against Nature

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Marx and Coca-Cola

The Future in Labor

Joshua Clover

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New York Notebook

Surviving

William Johnson

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Talking Point

The Avant-Garde Archive Online

Danny Birchall

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Reconsideration

Le Plaisir: ““The Mask”” and ““The Model””

V. F. Perkins

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Cannes Notebook

A Very Good Year

Colin Maccabe

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San Francisco Notebook

Work Aesthetic

Lalitha Gopalan

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Intertitles

Listing to Starboard

Paul Thomas

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Book Reviews

Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus

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Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow

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Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama

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Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare

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Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.

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Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch

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Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.

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“A Few Years from Now” in Western Pernambuco: Bacurau’s Vision of the Future

Bacurau as Science-Fiction Revenge Fantasy

The Hidden Labor of Civil Rights: An Interview with Dawn Porter

Pluriversal Brazil: A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine

Melodrama, Telenovela, and the New Latin American Women’s Picture

Articles

Rohmer's Salon

A Handful of World: The Films of Peter Thompson —— An Introduction and Interview

Imamura Revisited

Bulldozers, Bibles, and Very Sharp Knives: The Chinese Independent Documentary Scene

L.A.'s Hipster Cinema

Departments

Editor's Notebook

Against Nature

Marx and Coca-Cola

The Future in Labor

New York Notebook

Surviving

Talking Point

The Avant-Garde Archive Online

Reconsideration

Le Plaisir: ““The Mask”” and ““The Model””

Cannes Notebook

A Very Good Year

San Francisco Notebook

Work Aesthetic

Intertitles

Listing to Starboard

Book Reviews

Review: Carl Theodor Dreyer's "Gertrud": The Moving Word. by James Schamus

Review: Brass Diva: The Life and Legends of Ethel Merman. by Caryl Flinn; Ethel Merman: A Life. by Brian Kellow

Review: Science Fiction Cinema: Between Fantasy and Reality. by Christine Cornea; Black Space: Imagining Race in Science Fiction Film. by Adilifu Nama

Review: After Hitchcock: Influence, Imitation, and Intertextuality by David Boyd and R. Barton Palmer, eds.; Hitchcock and the Methods of Suspense by William Hare

Review: Italian Neorealism and Global Cinema. by Laura E. Ruberto and Kristi M. Wilson, eds.

Review: Film Adaptation and Its Discontents: From "Gone with the Wind" to "The Passion of the Christ". by Thomas Leitch

Review: Fluid Screens, Expanded Cinema. by Janine Marchessault and Susan Lord, eds.

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Editor's Notebook

Marx and Coca-Cola

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Talking Point

Reconsideration

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San Francisco Notebook

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Book Reviews

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