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Issues

Volume 62, Issue 4
Summer 2009
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Articles

Films of the year, 2008
James Naremore
View Articletitled, Films of the year, 2008
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Against the Clock: Slumdog Millionaire and The Curious Case of Benjamin Button
J. M. Tyree
View Articletitled, Against the Clock: <em>Slumdog Millionaire</em> and <em>The Curious Case of Benjamin Button</em>
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Standard Operating Procedure: Mediating Torture
Caetlin Benson-Allott
View Articletitled, <em>Standard Operating Procedure</em>: Mediating Torture
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Digital Fatigue: Imaging War in Recent American Film
Garrett Stewart
View Articletitled, Digital Fatigue: Imaging War in Recent American Film
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“Un Film Vampirisé”: Dreyer's Vampyr
Peter Swaab
View Articletitled, “Un Film Vampirisé”: Dreyer's <em>Vampyr</em>
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Film Culture in Madrid
Paul Julian Smith
View Articletitled, Film Culture in Madrid
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Departments

Editor's Notebook
Heaven Knows We're Digital Now
Rob White
View Articletitled, Heaven Knows We're Digital Now
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Marx and Coca-Cola
Cinema for a New Grand Game
Joshua Clover
View Articletitled, Cinema for a New Grand Game
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New York Notebook
Revisiting The Past
William Johnson
View Articletitled, Revisiting The Past
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Talking Point
Howls for Guy Debord
Zack Winestine
View Articletitled, Howls for Guy Debord
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Reconsideration
The Earrings of Madame de …
Laura Mulvey
View Articletitled, The Earrings of Madame de …
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Berlin Notebook
New Paths for German Cinema
Brigitta B. Wagner
View Articletitled, New Paths for German Cinema
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Ecosystem
La Malavita: Gomorrah and Naples
Michael Covino
View Articletitled, La Malavita: <em>Gomorrah</em> and Naples
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Bedsit Cinema
The Gomorrah Doctrine
Megan Ratner
View Articletitled, The <em>Gomorrah</em> Doctrine
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Encounter
Interview With Jia Zhang-Ke
Dudley Andrew
View Articletitled, Interview With Jia Zhang-Ke
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Intertitles
From the Other Shore
Paul Thomas
View Articletitled, From the Other Shore
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Book Reviews

Review: Convergence Culture: Where Old and New Media Collide, by Henry Jenkins and Beyond the Multiplex: Cinema, New Technologies, and the Home, by Barbara Klinger
Haidee Wasson
View Articletitled, Review: <em>Convergence Culture: Where Old and New Media Collide</em>, by Henry Jenkins and <em>Beyond the Multiplex: Cinema, New Technologies, and the Home</em>, by Barbara Klinger
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Review: Elia Kazan: The Cinema of an American Outsider, by Brian Neve and On the Waterfront, by Leo Braudy
Charles Maland
View Articletitled, Review: <em>Elia Kazan: The Cinema of an American Outsider</em>, by Brian Neve and <em>On the Waterfront</em>, by Leo Braudy
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Review: Hollywood's Censor: Joseph I. Breen and the Production Code Administration, by Thomas Doherty
Francis G. Couvares
View Articletitled, Review: <em>Hollywood's Censor: Joseph I. Breen and the Production Code Administration</em>, by Thomas Doherty
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Review: Freedom and Entertainment: Rating the Movies in the Age of New Media, by Stephen Vaughn and The Naked Truth: Why Hollywood Doesn’t Make X-Rated Movies, by Kevin S. Sandler
Eric Schaefer
View Articletitled, Review: <em>Freedom and Entertainment: Rating the Movies in the Age of New Media</em>, by Stephen Vaughn and <em>The Naked Truth: Why Hollywood Doesn’t Make X-Rated Movies</em>, by Kevin S. Sandler
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Review: Dying to Belong: Gangster Movies in Hollywood and Hong Kong, by Martha P. Nochimson
Ronald Wilson
View Articletitled, Review: <em>Dying to Belong: Gangster Movies in Hollywood and Hong Kong</em>, by Martha P. Nochimson
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Review: Seven Up!, by Stella Bruzzi
Charles Musser
View Articletitled, Review: <em>Seven Up!</em>, by Stella Bruzzi
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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