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Issues

Volume 61, Issue 4
Summer 2008
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Review Essays

4 Months, 3 Weeks and 2 Days: The Corruption of Intimacy
Ioana Uricaru
View Articletitled, <em>4 Months, 3 Weeks and 2 Days</em>: The Corruption of Intimacy
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4 Months, 3 Weeks and 2 Days: An “Abortion Movie”?
Emma Wilson
View Articletitled, <em>4 Months, 3 Weeks and 2 Days</em>: An “Abortion Movie”?
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Late Ozu, Late Naruse
Joan Mellen
View Articletitled, Late Ozu, Late Naruse
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Tender is the Regard: I Don't Want to Sleep Alone and Still Life
Yvette Bíró
View Articletitled, Tender is the Regard: <em>I Don't Want to Sleep Alone</em> and <em>Still Life</em>
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Report

Places and Other Fictions: Film Culture in Tokyo
Chris Fujiwara
View Articletitled, Places and Other Fictions: Film Culture in Tokyo
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Articles

Films of the Year, 2007
James Naremore
View Articletitled, Films of the Year, 2007
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The Ontology of a Fetish
Dudley Andrew
View Articletitled, The Ontology of a Fetish
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Columns

Editor's Notebook
Arthouse Elephant
View Articletitled, Arthouse Elephant
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Marx and Coca-Cola
The New World System
Joshua Clover
View Articletitled, The New World System
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Hollywood Notebook
The Rise of the "Studio Independents"
Greg Marcks
View Articletitled, The Rise of the "Studio Independents"
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Talking Point
Whose Country?
Leo Braudy
View Articletitled, Whose Country?
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Art House
"California Video"
David E. James
View Articletitled, "California Video"
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Two-Point-Zero
Unamused at Abercrombie & Fitch
Ben Walters
View Articletitled, Unamused at Abercrombie &amp; Fitch
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Counterspectacles
Teeming Life
Adrian Martin
View Articletitled, Teeming Life
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Second Time Around
Bonnie and Pierrot
D. A. Miller
View Articletitled, <em>Bonnie</em> and <em>Pierrot</em>
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Browsed
Nothingness, Spectacle, Cinema
Rashna Wadia Richards
View Articletitled, Nothingness, Spectacle, Cinema
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Book Reviews

What Makes a "TV Milestone"?
Janet McCabe
View Articletitled, What Makes a "TV Milestone"?
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Music
Review: Chanteuse in the City: The Realist Singer in French Film, by Kelley Conway
Ginette Vincendeau
View Articletitled, Review: <em>Chanteuse in the City: The Realist Singer in French Film</em>, by Kelley Conway
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Review: Hitchcock's Music, by Jack Sullivan
Paul Thomas
View Articletitled, Review: <em>Hitchcock's Music</em>, by Jack Sullivan
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Review: Unsettling Scores: German Film, Music, and Ideology, by Roger Hillman
Caryl Flinn
View Articletitled, Review: <em>Unsettling Scores: German Film, Music, and Ideology</em>, by Roger Hillman
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History
Review: P. G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations, by Brian Taves
Kristin Thompson
View Articletitled, Review: <em>P. G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations</em>, by Brian Taves
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Review: American Cinema's Transitional Era: Audiences, Institutions, Practices, by Charlie Keil and Shelley Stamp
Kristen Whissel
View Articletitled, Review: <em>American Cinema's Transitional Era: Audiences, Institutions, Practices</em>, by Charlie Keil and Shelley Stamp
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Review: Bright Boulevards, Bold Dreams: The Story of Black Hollywood, by Donald Bogle
Arthur Knight
View Articletitled, Review: <em>Bright Boulevards, Bold Dreams: The Story of Black Hollywood</em>, by Donald Bogle
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Review: Moving Image Technology: From Zoetrope to Digital, by Leo Enticknap
William Paul
View Articletitled, Review: <em>Moving Image Technology: From Zoetrope to Digital</em>, by Leo Enticknap
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All Issues
A Cinematic Salvo from Interwar Austria: Hans Karl Breslauer’s Die Stadt ohne Juden (The City Without Jews, 1924)
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Editor’s Notebook
No Bad Parts: Forms of Self-Compassion in Inside Out 2
To Commune: The Sixty-Ninth Flaherty Film Seminar
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2024
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