Issues

Review Essays

Histoire(s) Du Cinééma

James S. Williams

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Between Daylight and Darkness: Forever and Silent Light

William Johnson

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Spiraling Downward: America in Days of Heaven, In the Valley of Elah, and No Country for Old Men

Joan Mellen

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The Wire: The Complete Fourth Season

J. M. Tyree

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Reports

Film Culture in Rome

David Forgacs

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Paris Nous Appartient: Flâânerie in Paris and Film

Brigitte Rollet

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Articles

Video Frame Enlargments

Bruce Kawin

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Painting by the Numbers: The Digital Intermediate

John Belton

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Columns

Editor's Notebook

Easy Words

Rob White

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Marx and Coca-Cola

The End

Joshua Clover

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Hollywood Notebook

On the Set

Greg Marcks

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Two-Point-Zero

Cyberpicketing

Ben Walters

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Reprogramming

No More Therapy

Rob White

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Counterspectacles

American Mess

Adrian Martin

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Second Time Around

Berlin Alexanderplatz

D. A. Miller

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Browsed

Monsters and Critics

Aviva Briefel

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Book Reviews

Unearthing the Foundations of Cinema Studies

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Directors

Review: The Cinema of Gosho Heinosuke: Laughter Through Tears, by Arthur Nolletti, Jr.

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Review: Waiting on the Weather: Making Movies with Akira Kurosawa, by Teruyo Nogami

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Review: What Ever Happened to Orson Welles?: A Portrait of an Independent Career, by Joseph McBride

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Review: The Wolf at the Door: Stanley Kubrick, History, and the Holocaust, by Geoffrey Cocks

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Philosophy

Review: Cinephilia and History, or The Wind in the Trees, by Christian Keathley

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Review: Cities of Words: Pedagogical Letters on a Register of the Moral Life, by Stanley Cavell

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Review: Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich, by Catherine Constable

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Politics

Review: Cinééma et engagement. Edited by Graeme Hayes and Martin O'Shaughnessy

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Review: From Walt to Woodstock: How Disney Created the Counterculture, by Douglas Brode

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Review: Hollywood: Politics and Society, by Mark Wheeler

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