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Volume 61, Issue 3
Spring 2008
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Review Essays

Histoire(s) Du Cinéma
James S. Williams
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Between Daylight and Darkness: Forever and Silent Light
William Johnson
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Spiraling Downward: America in Days of Heaven, In the Valley of Elah, and No Country for Old Men
Joan Mellen
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The Wire: The Complete Fourth Season
J. M. Tyree
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Reports

Film Culture in Rome
David Forgacs
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Paris Nous Appartient: Flânerie in Paris and Film
Brigitte Rollet
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Articles

Video Frame Enlargments
Bruce Kawin
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Painting by the Numbers: The Digital Intermediate
John Belton
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Columns

Editor's Notebook
Easy Words
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Marx and Coca-Cola
The End
Joshua Clover
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Hollywood Notebook
On the Set
Greg Marcks
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Two-Point-Zero
Cyberpicketing
Ben Walters
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Reprogramming
No More Therapy
Rob White
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Counterspectacles
American Mess
Adrian Martin
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Second Time Around
Berlin Alexanderplatz
D. A. Miller
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Browsed
Monsters and Critics
Aviva Briefel
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Book Reviews

Unearthing the Foundations of Cinema Studies
Kevin Jack Hagopian
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Directors
Review: The Cinema of Gosho Heinosuke: Laughter Through Tears, by Arthur Nolletti Jr.
Joanne Bernardi
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Review: Waiting on the Weather: Making Movies with Akira Kurosawa, by Teruyo Nogami and Donald Richie
Stephen Prince
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Review: What Ever Happened to Orson Welles?: A Portrait of an Independent Career, by Joseph McBride
Dean A. Hoffman
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Review: The Wolf at the Door: Stanley Kubrick, History, and the Holocaust, by Geoffrey Cocks
Rodney Hill
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Philosophy
Review: Cinephilia and History, or The Wind in the Trees, by Christian Keathley
Jennifer Pranolo
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Review: Cities of Words: Pedagogical Letters on a Register of the Moral Life, by Stanley Cavell
Thomas E. Wartenberg
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Review: Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich, by Catherine Constable
Jamie Berthe
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Politics
Review: Cinéma et engagement, by Graeme Hayes and Martin O'Shaughnessy
Winifred Woodhull
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Review: From Walt to Woodstock: How Disney Created the Counterculture, by Douglas Brode
Eric Smoodin
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Review: Hollywood: Politics and Society, by Mark Wheeler
Michael Cramer
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All Issues
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman
Taylor Sheridan Is Sorry but His Characters Are Not: The Messiness of Categorizing Conservative Television
Telluride Film Festival
Il Cinema Ritrovato 2022: History Repeats Itself
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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