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Volume 61, Issue 3

Spring 2008

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Review Essays
Reports
Articles
Columns
Book Reviews

Review Essays

Histoire(s) Du Cinééma

James S. Williams

Between Daylight and Darkness: Forever and Silent Light

William Johnson

Spiraling Downward: America in Days of Heaven, In the Valley of Elah, and No Country for Old Men

Joan Mellen

The Wire: The Complete Fourth Season

J. M. Tyree

Reports

Film Culture in Rome

David Forgacs

Paris Nous Appartient: Flâânerie in Paris and Film

Brigitte Rollet

Articles

Video Frame Enlargments

Bruce Kawin

Painting by the Numbers: The Digital Intermediate

John Belton

Columns

Editor's Notebook

Easy Words

Marx and Coca-Cola

The End

Joshua Clover

Hollywood Notebook

On the Set

Greg Marcks

Two-Point-Zero

Cyberpicketing

Ben Walters

Reprogramming

No More Therapy

Rob White

Counterspectacles

American Mess

Adrian Martin

Second Time Around

Berlin Alexanderplatz

D. A. Miller

Browsed

Monsters and Critics

Aviva Briefel

Book Reviews

Unearthing the Foundations of Cinema Studies

Directors

Review: The Cinema of Gosho Heinosuke: Laughter Through Tears, by Arthur Nolletti, Jr.

Review: Waiting on the Weather: Making Movies with Akira Kurosawa, by Teruyo Nogami

Review: What Ever Happened to Orson Welles?: A Portrait of an Independent Career, by Joseph McBride

Review: The Wolf at the Door: Stanley Kubrick, History, and the Holocaust, by Geoffrey Cocks

Philosophy

Review: Cinephilia and History, or The Wind in the Trees, by Christian Keathley

Review: Cities of Words: Pedagogical Letters on a Register of the Moral Life, by Stanley Cavell

Review: Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich, by Catherine Constable

Politics

Review: Cinééma et engagement. Edited by Graeme Hayes and Martin O'Shaughnessy

Review: From Walt to Woodstock: How Disney Created the Counterculture, by Douglas Brode

Review: Hollywood: Politics and Society, by Mark Wheeler

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Cover Image
Front Matter
Table of Contents

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When Beauty Is in the Eye of the Beholder

Redemption Song: Performing Black History and Masculinity

Sundance on Your Couch

Antipodal Connections: Two Argentine Documentaries and Their Korean Women Subjects

Review: Picturing Indians: Native Americans in Film, 1941–1960, by Liza Black

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