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Volume 61, Issue 2

Winter 2007

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Review Essays
Avant-Garde
Columns
Book Reviews

Review Essays

Treasures III: Social Issues in American Film, 1900––1934

Joan Mellen

Sicko

Ernest Callenbach

Control / Joe Strummer: The Future is Unwritten / This is England

Mark Sinker

Chaotic Ana

Paul Julian Smith

Avant-Garde

Gentle Iconoclast: An Interview with David Gatten

Scott MacDonald

London Avant-Garde Round-Up

Nicky Hamlyn

Mindframes: Media Study at Buffalo, 1973––1990

John Minkowsky

Columns

Editor's Notebook

From Handmade to Hi-Tech

Rob White

Marx and Coca-Cola

Dream Machines

Joshua Clover

Hollywood Notebook

A Backlot in Bulgaria

Greg Marcks

Camera Ludica

Playing Undead

Irene Chien

Two-Point-Zero

A Guaranteed Premonition

Ben Walters

Counterspectacles

Stocking Up on Old Bones

Adrian Martin

Second Time Around

Cruising

D. A. Miller

Browsed

Myths, Mothers, and Monoliths

Beth Mauldin

Book Reviews

Some Thoughts on Film History

Avant-Garde and Independent

Review: Where Does It Happen? John Cassavetes and Cinema at the Breaking Point, by George Kouvaros

Review: Lines of Resistance: Dziga Vertov and the Twenties, edited by Yuri Tsivian

Review: Women and Experimental Filmmaking, edited by Jean Petrolle and Virginia Wright Wexman

The World

Review: Edward Yang, by John Anderson

Review: The Encyclopedia of British Film, edited by Brian MacFarlane and Anthony Slide

Review: Rethinking Third Cinema, edited by Anthony R. Guneratne and Wimal Dissanayake

Horror and Science Fiction

Review: Screening the Gothic, by Lisa Hopkins

Review: American Science Fiction TV: Star Trek, Stargate, and Beyond, by Jan Johnson-Smith

Review: Bad: Infamy, Darkness, Evil, and Slime on Screen, edited by Murray Pomerance

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“A Few Years from Now” in Western Pernambuco: Bacurau’s Vision of the Future

Bacurau as Science-Fiction Revenge Fantasy

The Hidden Labor of Civil Rights: An Interview with Dawn Porter

Pluriversal Brazil: A Conversation with Patrícia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Reolon, and Julia Katharine

Melodrama, Telenovela, and the New Latin American Women’s Picture

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