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Volume 61, Issue 2

Winter 2007

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Review Essays
Avant-Garde
Columns
Book Reviews

Review Essays

Treasures III: Social Issues in American Film, 1900–1934

Joan Mellen

Sicko

Ernest Callenbach

Control / Joe Strummer: The Future is Unwritten / This is England

Mark Sinker

Chaotic Ana

Paul Julian Smith

Avant-Garde

Gentle Iconoclast: An Interview with David Gatten

Scott MacDonald

London Avant-Garde Round-Up

Nicky Hamlyn

Mindframes: Media Study at Buffalo, 1973–1990

John Minkowsky

Columns

Editor's Notebook

From Handmade to Hi-Tech

Rob White

Marx and Coca-Cola

Dream Machines

Joshua Clover

Hollywood Notebook

A Backlot in Bulgaria

Greg Marcks

Camera Ludica

Playing Undead

Irene Chien

Two-Point-Zero

A Guaranteed Premonition

Ben Walters

Counterspectacles

Stocking Up on Old Bones

Adrian Martin

Second Time Around

Cruising

D. A. Miller

Browsed

Myths, Mothers, and Monoliths

Beth Mauldin

Book Reviews

Some Thoughts on Film History

Edward Buscombe

Avant-Garde and Independent

Review: Where Does It Happen? John Cassavetes and Cinema at the Breaking Point, by George Kouvaros

R. Barton Palmer

Review: Lines of Resistance: Dziga Vertov and the Twenties, by Yuri Tsivian

John MacKay

Review: Women and Experimental Filmmaking, by Jean Petrolle and Virginia Wright Wexman

Alison R. Hoffman

The World

Review: Edward Yang, by John Anderson

Victoria Meng

Review: The Encyclopedia of British Film, by Brian MacFarlane and Anthony Slide

Richard Armstrong

Review: Rethinking Third Cinema, by Anthony R. Guneratne and Wimal Dissanayake

Lindy Leong

Horror and Science Fiction

Review: Screening the Gothic, by Lisa Hopkins

Diane Waldman

Review: American Science Fiction TV: Star Trek, Stargate, and Beyond, by Jan Johnson-Smith

Janani Subramanian

Review: Bad: Infamy, Darkness, Evil, and Slime on Screen, by Murray Pomerance

Donald F. Larsson

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On the Necessity of Bad Trans Objects

Desire Lines: Sky Hopinka’s Undisciplining of Vision

Pascale Ferran: A Renegade in French Cinema

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing

Digging Up the Future: Almodóvar’s Parallel Mothers

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