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Issues

Volume 61, Issue 1
Fall 2007
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Review Essays

The Namesake: Deepika Bahri is Touched by Mira Nair's Vivid, Sonorous Account of Immigrant Life in an Adopted Home City
Deepika Bahri
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Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films
Emma Wilson
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Into Great Silence: William Johnson on Philip Grööning's Absorbing Documentary of Monastic Life in a Remote Corner of the Alps
William Johnson
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The Lives of Others: Matthew H. Bernstein on an Emotive Surveillance Thriller Set in Communist East Germany
Matthew H. Bernstein
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Articles

““A New Wave of Spectators””: Contemporary Responses to Cleo from 5 to 7
Kelley Conway
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Youtube: Where Cultural Memory and Copyright Converge
Lucas Hilderbrand
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Columns

Editor's Notebook

A Public Place
Rob White
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Marx and Coca-Cola

All that is Solid Melts into War
Joshua Clover
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Hollywood Notebook

The Future of Image Capture
Greg Marcks
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Camera Ludica

From Photorealism to Candy Colors
Irene Chien
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Two-Point-Zero

The Online Stump
Ben Walters
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Counterspectacles

The Hungry Cinema of Stephen Dwoskin
Adrian Martin
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Second Time Around

Sansho the Bailiff
D. A. Miller
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Browsed

Velvet Boxes and Reliquaires
Rob White
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Book Reviews

Nazi Cinema Revisited
Johannes Von Moltke
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Cultural Politics

Body and Soul: Jazz and Blues in American Film, 1927––63, by Peter Stanfield
Arthur Knight
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Black Magic: White Hollywood and African American Culture, by Krin Gabbard
Mark A. Reid
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Boricua Pop: Puerto Ricans and the Latinization of American Culture, by Frances Negróón-Muntaner
Colin Gunckel
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Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood, by Stella Bruzzi
Hannah Hamad
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Directors

Elia Kazan: A Biography, by Richard Schickel
Lloyd Michaels
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The Cinema of David Lynch: American Dreams, Nightmare Visions, ed. Annette Davison and Erica Sheen
Megan Williams
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An Eye for Hitchcock, by Murray Pomerance
Marshall Deutelbaum
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Joel and Ethan Coen, by R. Barton Palmer
R. L. Rutsky
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History

Early Cinema: From Factory Gate to Dream Factory, by Simon Popple and Joe Kember
Charlie Keil
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Product Placement in Hollywood Films: A History, by Kerry Segrave
Gerald Sim
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Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, by Adam Lowenstein
Eve Ng
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All Issues
Pixels, Police, and Batons: Hong Kong Cinema, Digital Media, the 2019 Protests, and Beyond
Review: Mary Ellen Bute: Pioneer Animator, by Kit Smyth Basquin
Review: Everyday Movies: Portable Film Projectors and the Transformation of American Culture, by Haidee Watson
Review: Making Worlds: Affect and Collectivity in Contemporary European Cinema, by Claudia Breger
Review: Women in the Irish Film Industry: Stories and Storytellers, edited by Susan Liddy
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2021
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