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Issues

Volume 61, Issue 1
Fall 2007
Issue Cover
ISSN 0015-1386
EISSN 1533-8630

Review Essays

The Namesake: Deepika Bahri is Touched by Mira Nair's Vivid, Sonorous Account of Immigrant Life in an Adopted Home City
Deepika Bahri
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Days of Glory / Flanders: Emma Wilson on Two Prize-winning, Politically Ambitious French War Films
Emma Wilson
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Into Great Silence: William Johnson on Philip Gröning's Absorbing Documentary of Monastic Life in a Remote Corner of the Alps
William Johnson
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The Lives of Others: Matthew H. Bernstein on an Emotive Surveillance Thriller Set in Communist East Germany
Matthew H. Bernstein
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Articles

“A New Wave of Spectators”: Contemporary Responses to Cleo from 5 to 7
Kelley Conway
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Youtube: Where Cultural Memory and Copyright Converge
Lucas Hilderbrand
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Columns

Editor's Notebook
A Public Place
Rob White
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Marx and Coca-Cola
All that is Solid Melts into War
Joshua Clover
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Hollywood Notebook
The Future of Image Capture
Greg Marcks
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Camera Ludica
From Photorealism to Candy Colors
Irene Chien
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Two-Point-Zero
The Online Stump
Ben Walters
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Counterspectacles
The Hungry Cinema of Stephen Dwoskin
Adrian Martin
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Second Time Around
Sansho the Bailiff
D. A. Miller
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Browsed
Velvet Boxes and Reliquaires
Rob White
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Book Reviews

Nazi Cinema Revisited
Johannes Von Moltke
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Cultural Politics
Body and Soul: Jazz and Blues in American Film, 1927–63, by Peter Stanfield
Arthur Knight
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Black Magic: White Hollywood and African American Culture, by Krin Gabbard
Mark A. Reid
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Boricua Pop: Puerto Ricans and the Latinization of American Culture, by Frances Negrón-Muntaner
Colin Gunckel
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Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood, by Stella Bruzzi
Hannah Hamad
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Directors
Elia Kazan: A Biography, by Richard Schickel
Lloyd Michaels
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The Cinema of David Lynch: American Dreams, Nightmare Visions, ed. Annette Davison and Erica Sheen
Megan Williams
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An Eye for Hitchcock, by Murray Pomerance
Marshall Deutelbaum
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Joel and Ethan Coen, by R. Barton Palmer
R. L. Rutsky
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History
Early Cinema: From Factory Gate to Dream Factory, by Simon Popple and Joe Kember
Charlie Keil
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Product Placement in Hollywood Films: A History, by Kerry Segrave
Gerald Sim
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Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, by Adam Lowenstein
Eve Ng
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All Issues
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism
Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman
Taylor Sheridan Is Sorry but His Characters Are Not: The Messiness of Categorizing Conservative Television
Telluride Film Festival
Il Cinema Ritrovato 2022: History Repeats Itself
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2023
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