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Volume 51, Issue 2

Winter 1997-1998

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Reviews
Book Reviews
- Book Notes

Front Matter

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The City as the Country: The New York City Symphony from Rudy Burckhardt to Spike Lee

Scott MacDonald

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Correction: From the Bedroom to the Bijou: American Gay Sex Cinema

Jack Stevenson

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Mother of All Spectacles: Ray Müller's "The Wonderful, Horrible Life of Leni Riefenstahl"

Ruth Starkman

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Marcel Ophüls' "November Days": German Reunification as "Musical Comedy"

Nora M. Alter

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Reviews

Review: Hate (La Haine) by Mathieu Kassovitz, Christophe Rossignon

Kevin Elstob

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Review: Underground by Emir Kusturica, Pierre Spengler

Marianna Yarovskaya

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Book Reviews

Review: African Experiences of Cinema by Imruh Bakari, Mbye Cham

Martin Stollery

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Review: German Cinema: Texts in Context by Marc Silberman; Understanding Rainer Werner Fassbinder: Film as Private and Public Art by Wallace Steadman Watson

Angelica Fenner

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Review: Guilty Pleasures: Feminist Camp from Mae West to Madonna by Pamela Robertson

Marianne Conroy

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Review: History by Hollywood: The Use and Abuse of the American Past by Robert Brent Toplin

Richard Maltby

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Review: Hollywood's America: Social and Political Themes in Motion Pictures by Stephen Powers, David J. Rothman, Stanley Rothman

Richard Maltby

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Review: Japanese Cinema: The Essential Handbook by Thomas Weisser, Yuko Mihara Weisser; The Japanese Filmography: A Complete Reference to 209 Filmmakers and the over 1250 Films Released in the United States, 1900 through 1994 by Stuart Galbraith IV

Ben Singer

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Book Notes

Review: South American Cinema: A Critical Filmography, 1915-1994 by Timothy Barnard, Peter Rist

Julianne Burton-Carvajal

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Review: The Encyclopedia of Martial Arts Movies by Bill Palmer, Karen Palmer, Ric Meyers

Tony Williams

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Review: Hollywood in Crisis: Cinema and American Society 1929-1939 by Colin Shindler

Eric Smoodin

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Review: More Things than Are Dreamt Of; The Vampire Film: From Nosferatu to Bram Stoker's Dracula by Alain Silver, James Ursini

Tony Williams

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Back Matter

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Telluride and After: The Revival of Sensation

Trump’s Ironic Effect on Political Satire

The Train Is Always Leaving: A Conversation with Barry Jenkins

Thinking about The Underground Railroad: With Walton M. Muyumba, Samantha N. Sheppard, and Kristen J. Warner

Review: The Stuff of Spectatorship: Material Cultures of Film and Television, by Caetlin Benson-Allott

Front Matter

The City as the Country: The New York City Symphony from Rudy Burckhardt to Spike Lee

Correction: From the Bedroom to the Bijou: American Gay Sex Cinema

Mother of All Spectacles: Ray Müller's "The Wonderful, Horrible Life of Leni Riefenstahl"

Marcel Ophüls' "November Days": German Reunification as "Musical Comedy"

Reviews

Review: Hate (La Haine) by Mathieu Kassovitz, Christophe Rossignon

Review: Underground by Emir Kusturica, Pierre Spengler

Book Reviews

Review: African Experiences of Cinema by Imruh Bakari, Mbye Cham

Review: German Cinema: Texts in Context by Marc Silberman; Understanding Rainer Werner Fassbinder: Film as Private and Public Art by Wallace Steadman Watson

Review: Guilty Pleasures: Feminist Camp from Mae West to Madonna by Pamela Robertson

Review: History by Hollywood: The Use and Abuse of the American Past by Robert Brent Toplin

Review: Hollywood's America: Social and Political Themes in Motion Pictures by Stephen Powers, David J. Rothman, Stanley Rothman

Review: Japanese Cinema: The Essential Handbook by Thomas Weisser, Yuko Mihara Weisser; The Japanese Filmography: A Complete Reference to 209 Filmmakers and the over 1250 Films Released in the United States, 1900 through 1994 by Stuart Galbraith IV

Book Notes

Review: South American Cinema: A Critical Filmography, 1915-1994 by Timothy Barnard, Peter Rist

Review: The Encyclopedia of Martial Arts Movies by Bill Palmer, Karen Palmer, Ric Meyers

Review: Hollywood in Crisis: Cinema and American Society 1929-1939 by Colin Shindler

Review: More Things than Are Dreamt Of; The Vampire Film: From Nosferatu to Bram Stoker's Dracula by Alain Silver, James Ursini

Back Matter

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