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Volume 50, Issue 4

Summer 1997

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Reviews
Annual Film Quarterly Film Book Survey, Part I
- Book Notes

Front Matter

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Ritual, Tension, and Relief: The Terror of "The Tingler"

Mikita Brottman

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A Battle "d'Arrière-Garde": Notes on Decadence in Luchino Visconti's "Death in Venice"

Giorgio Bertellini

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Inanimations: "Snow White" and "Ivan the Terrible"

Anne Nesbet

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Reviews

Review: Georgia by Ulu Grosbard, Barbara Turner, Jennifer Jason Leigh

Felicia Feaster

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Review: Affaires publiques (Public Affairs) by Robert Bresson

William Johnson

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Letter to the Editor

Robert M. Payne

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Annual Film Quarterly Film Book Survey, Part I

Review: The Architecture of Vision: Writings and Interviews on Cinema by Michelangelo Antonioni, Carlo di Carlo, Giorgio Tinazzi, Marga Cottino-Jones

Seymour Chatman

View Articletitled, Review: The Architecture of Vision: Writings and Interviews on Cinema by Michelangelo Antonioni, Carlo di Carlo, Giorgio Tinazzi, Marga Cottino-Jones

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Review: Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema by Rhona J. Berenstein

K. E. Sullivan

View Articletitled, Review: Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema by Rhona J. Berenstein

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Review: The Avant-Garde Finds Andy Hardy by Robert B. Ray

David Bordwell

View Articletitled, Review: The Avant-Garde Finds Andy Hardy by Robert B. Ray

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Review: Charlie Chaplin: Intimate Close-Ups by Georgia Hale; Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard by Julie Gilbert; Tramp: The Life of Charlie Chaplin by Joyce Milton

Constance B. Kuriyama

View Articletitled, Review: Charlie Chaplin: Intimate Close-Ups by Georgia Hale; Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard by Julie Gilbert; Tramp: The Life of Charlie Chaplin by Joyce Milton

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Review: Cinema and Painting: How Art Is Used in Film by Angela Dalle Vacche

Bailey van Hook

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Review: Cinema in Democratizing Germany: Reconstructing National Identity after Hitler by Heide Fehrenbach

John E. Davidson

View Articletitled, Review: Cinema in Democratizing Germany: Reconstructing National Identity after Hitler by Heide Fehrenbach

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Review: Cultures of Vision: Images, Media, and the Imaginary by Ron Burnett

John T. Caldwell

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Review: Engaging Characters: Fiction, Emotion, and the Cinema by Murray Smith

Jeff Smith

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Review: The Gulf War Did Not Take Place by Jean Baudrillard; The Phantom Empire by Geoffrey O'Brien

Wheeler Winston Dixon

View Articletitled, Review: The Gulf War Did Not Take Place by Jean Baudrillard; The Phantom Empire by Geoffrey O'Brien

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Review: Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub by Barton Byg

Gwendolyn Audrey Foster

View Articletitled, Review: Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub by Barton Byg

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Review: Lovers of Cinema: The First American Film Avant-Garde, 1919-1945 by Jan-Christopher Horak

Wheeler Winston Dixon

View Articletitled, Review: Lovers of Cinema: The First American Film Avant-Garde, 1919-1945 by Jan-Christopher Horak

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Review: Nothing Happens: Chantal Akerman's Hyperrealist Everyday by Ivone Margulies

Carole Zucker

View Articletitled, Review: Nothing Happens: Chantal Akerman's Hyperrealist Everyday by Ivone Margulies

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Review: Queen of the B's: Ida Lupino behind the Camera by Annette Kuhn

Jackie Byars

View Articletitled, Review: Queen of the B's: Ida Lupino behind the Camera by Annette Kuhn

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Review: The Reality of Illusion: An Ecological Approach to Cognitive Film Theory by Joseph D. Anderson

Carl Plantinga

View Articletitled, Review: The Reality of Illusion: An Ecological Approach to Cognitive Film Theory by Joseph D. Anderson

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Review: Seeing Through the Eighties: Television and Reaganism by Jane Feuer

Tony Williams

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Book Notes

Review: Jammin' at the Margins: Jazz and the American Cinema by Krin. Gabbard

John Fell

View Articletitled, Review: Jammin' at the Margins: Jazz and the American Cinema by Krin. Gabbard

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Review: Picking up the Tab: The Life and Movies of Martin Ritt by Carlton Jackson

Matthew Bernstein

View Articletitled, Review: Picking up the Tab: The Life and Movies of Martin Ritt by Carlton Jackson

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Review: Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot by Michael. Rogin

Eric Smoodin

View Articletitled, Review: Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot by Michael. Rogin

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Back Matter

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A Path into Filmmaking, the Cayuga Language, and Fancy Dance: An Interview with Erica Tremblay

Front Matter

Ritual, Tension, and Relief: The Terror of "The Tingler"

A Battle "d'Arrière-Garde": Notes on Decadence in Luchino Visconti's "Death in Venice"

Inanimations: "Snow White" and "Ivan the Terrible"

Reviews

Review: Georgia by Ulu Grosbard, Barbara Turner, Jennifer Jason Leigh

Review: Affaires publiques (Public Affairs) by Robert Bresson

Letter to the Editor

Annual Film Quarterly Film Book Survey, Part I

Review: The Architecture of Vision: Writings and Interviews on Cinema by Michelangelo Antonioni, Carlo di Carlo, Giorgio Tinazzi, Marga Cottino-Jones

Review: Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema by Rhona J. Berenstein

Review: The Avant-Garde Finds Andy Hardy by Robert B. Ray

Review: Charlie Chaplin: Intimate Close-Ups by Georgia Hale; Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard by Julie Gilbert; Tramp: The Life of Charlie Chaplin by Joyce Milton

Review: Cinema and Painting: How Art Is Used in Film by Angela Dalle Vacche

Review: Cinema in Democratizing Germany: Reconstructing National Identity after Hitler by Heide Fehrenbach

Review: Cultures of Vision: Images, Media, and the Imaginary by Ron Burnett

Review: Engaging Characters: Fiction, Emotion, and the Cinema by Murray Smith

Review: The Gulf War Did Not Take Place by Jean Baudrillard; The Phantom Empire by Geoffrey O'Brien

Review: Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub by Barton Byg

Review: Lovers of Cinema: The First American Film Avant-Garde, 1919-1945 by Jan-Christopher Horak

Review: Nothing Happens: Chantal Akerman's Hyperrealist Everyday by Ivone Margulies

Review: Queen of the B's: Ida Lupino behind the Camera by Annette Kuhn

Review: The Reality of Illusion: An Ecological Approach to Cognitive Film Theory by Joseph D. Anderson

Review: Seeing Through the Eighties: Television and Reaganism by Jane Feuer

Book Notes

Review: Jammin' at the Margins: Jazz and the American Cinema by Krin. Gabbard

Review: Picking up the Tab: The Life and Movies of Martin Ritt by Carlton Jackson

Review: Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot by Michael. Rogin

Back Matter

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