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Volume 47, Issue 2

Winter 1993-1994

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Reviews
Book Reviews

Front Matter

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Imag(in)ing Pictures: A Conversation with Holly Fisher

Peter Brunette, Holly Fisher

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Visuality and Power: The Work of the Steadicam

Jean-Pierre Geuens

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Polyphony and Cultural Expression: Interpreting Musical Traditions in "Do the Right Thing"

Victoria E. Johnson

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Fighting without Fighting: Film Action Fight Choreography

Craig D. Reid

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Reviews

Review: A Zed & Two Noughts by Peter Greenaway, Kees Kasander, Peter Sainsbury

Janet K. Cutler, Thomas E. Benediktsson

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Review: Chaplin by Richard Attenborough, Attenborough Kasser, Mario Kasser

Constance B. Kuriyama

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Review: Fallen Champ: The Untold Story of Mike Tyson by Barbara Kopple

Felicia Feaster

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Book Reviews

Review: The Body in the Mirror: Shapes of History in Italian Cinema by Angela Dalle Vacche

Maurizio Viano

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Review: The Cinema of Jean Genet: "Un Chant d'amour" by Jane Giles

Gene A. Plunka

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Review: Film and Politics in America: A Social Tradition by Brian Neve

Leonard Quart

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Review: Film and Reform: John Grierson and the Documentary Film Movement by Ian Aitken

Matthew Bernstein

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Review: "It's Time for My Story": Soap Opera Sources, Structure, and Response by Carol Traynor Williams

Martha Nochimson

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Review: Laws of Desire: Questions of Homosexuality in Spanish Writing and Film, 1960-1990 by Paul Julian Smith

Christopher Ortiz

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Review: Middletown: The Making of a Documentary Series by Dwight W. Hoover

Charles Musser

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Review: Movies for the Masses: Popular Cinema and Soviet Society in the 1920s by Denise J. Youngblood

Andrew Horton

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Review: Narrative Comprehension and Film by Edward Branigan

Stephen Prince

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Review: Passions and Deceptions: The Early Films of Ernst Lubitsch by Sabine Hake

Patricia Brett Erens

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Review: Went the Day Well? by Penelope Houston; Double Indemnity by Richard Schickel; Stagecoach by Edward Buscombe; The Wizard of Oz by Salman Rushdie

Brian Henderson

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Review: What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic by Henry Jenkins

Andrew Horton

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Back Matter

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On the Necessity of Bad Trans Objects

Desire Lines: Sky Hopinka’s Undisciplining of Vision

Pascale Ferran: A Renegade in French Cinema

Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing

Digging Up the Future: Almodóvar’s Parallel Mothers

Front Matter

Imag(in)ing Pictures: A Conversation with Holly Fisher

Visuality and Power: The Work of the Steadicam

Polyphony and Cultural Expression: Interpreting Musical Traditions in "Do the Right Thing"

Fighting without Fighting: Film Action Fight Choreography

Reviews

Review: A Zed & Two Noughts by Peter Greenaway, Kees Kasander, Peter Sainsbury

Review: Chaplin by Richard Attenborough, Attenborough Kasser, Mario Kasser

Review: Fallen Champ: The Untold Story of Mike Tyson by Barbara Kopple

Book Reviews

Review: The Body in the Mirror: Shapes of History in Italian Cinema by Angela Dalle Vacche

Review: The Cinema of Jean Genet: "Un Chant d'amour" by Jane Giles

Review: Film and Politics in America: A Social Tradition by Brian Neve

Review: Film and Reform: John Grierson and the Documentary Film Movement by Ian Aitken

Review: "It's Time for My Story": Soap Opera Sources, Structure, and Response by Carol Traynor Williams

Review: Laws of Desire: Questions of Homosexuality in Spanish Writing and Film, 1960-1990 by Paul Julian Smith

Review: Middletown: The Making of a Documentary Series by Dwight W. Hoover

Review: Movies for the Masses: Popular Cinema and Soviet Society in the 1920s by Denise J. Youngblood

Review: Narrative Comprehension and Film by Edward Branigan

Review: Passions and Deceptions: The Early Films of Ernst Lubitsch by Sabine Hake

Review: Went the Day Well? by Penelope Houston; Double Indemnity by Richard Schickel; Stagecoach by Edward Buscombe; The Wizard of Oz by Salman Rushdie

Review: What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic by Henry Jenkins

Back Matter

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