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Volume 36, Issue 4
Summer 1983
Issue Cover
ISSN 0015-1386
EISSN 1533-8630
Front Matter
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Interview

A Love of Today: An Interview with Michelangelo Antonioni
Gideon Bachmann, Michelangelo Antonioni
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Article

Tense, Mood, and Voice in Film (Notes after Genette)
Brian Henderson
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Reviews

Review: The King of Comedy by Martin Scorsese, Arnon Milchan
Ed Sikov
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Review: Before the Nickelodeon: The Early Cinema of Edwin Porter by Charles Musser, Steve Brier
John Fell
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The Year's Film Books

Autobiographies and Biographies
Review: Something like an Autobiography by Akira Kurosawa, Audie E. Bock
Alan Jaffe
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[Miscellaneous]
Ernest Callenbach, John Fell, Edward Sikov
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Criticism
Review: Cinema and Sentiment by Charles Affron
Linda Williams
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Review: Profane Mythology by Yvette Biro
Peter Brunette
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Review: 5001 Nights at the Movies by Pauline Kael
Ernest Callenbach
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Review: The Altering Eye: Contemporary International Cinema by Robert Phillip Kolker
Bruce Kawin
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Review: Bertolt Brecht, Cahiers du Cinema, and Contemporary Film Theory by George Lellis
Peter Brunette
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Review: Raymond Chandler and Film by William Luhr
Bruce Kawin
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Review: Women on Film: The Critical Eye by Marsha McCreadie
Ernest Callenbach
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Review: Movies Plus One: Seven Years of Film Reviewing by William S. Pechler
Vivian Sobchack
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Review: Currents in Japanese Cinema by Tadao Sato
Audie Bock
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[Miscellaneous]
Alan Williams, Ernest Callenbach, John Fell, Randolph Man
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Director Studies
Review: The Films of Alain Robbe-Grillet by Roy Armes
Karen Jaehne
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Review: Ingmar Bergman: A Critical Biography by Peter Cowie
Marsha Kinder
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Review: James Whale by James Curtis
Don Willis
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Review: . . . But We Need the Eggs: The Magic of Woody Allen by Diane Jacobs
Harriet Polt
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Review: Eisenstein at Work by Jay Leyda, Zina Voynow
Ernest Callenbach
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Review: Claude Lelouch, Film Director by Peter Lev
Gordon Walters
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Review: Ingmar Bergman and the Rituals of Art by Paisley Livingston
Frank Gado
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Review: Howard Hawks, Storyteller by Gerald Mast
Bruce Kawin
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Review: Kubrick: Inside a Film Artist's Maze by Thomas Allen Nelson
Bill Desowitz
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Review: George Cukor by Gene D. Phillips
Jim Bernardoni
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Review: Antonioni's Visual Language by Ned Rifkin
Seymour Chatman
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Review: Peckinpah: A Portrait in Montage by Garner Simmons
David Desser
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Three G. K. Hall Books
Jonathan Rosenbaum
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Review: The Silent Scream: Alfred Hitchcock's Sound Track by Elisabeth Weis
Alan Williams
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[Miscellaneous]
John Fell, Anthony Slide, Ernest Callenbach
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Genre Studies
Review: The Hollywood Musical by Jane Feuer
Jonathan Rosenbaum
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Review: The Dark Side of the Screen: Film Noir by Foster Hirsch
Peter Hogue
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Review: The J. D. Films: Juvenile Delinquency in the Movies by Mark Thomas McGee, R. J. Robertson
Vivian Koenig
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Review: For One Week Only: The World of Exploitation Films by Richard Meyers
Tom Doherty
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[Miscellaneous]
William Johnson, Don Willis, Karen Jaehne, Ernest Callenbach
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History
Review: The Japanese Film: Art and Industry by Joseph L. Anderson, Donald Richie
Audie Bock
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Review: Sound and the Cinema: The Coming of Sound to the American Film by Evan William Cameron
John Fell
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Review: Before Mickey: The Animated Film 1898-1928 by Donald Crafton
Fabrice Ziolkowski
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Review: Hollywood's Image of the Jew by Lester D. Friedman
Dan Greenberg
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Review: The RKO Story by Richard B. Jewell, Vernon Harbin
Randolph Man
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Review: Brazilian Cinema by Randal Johnson, Robert Stam
Pat Aufderheide
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Review: The Movies in Our Midst: Documents in the Cultural History of Film in America by Mast Gerald
Bruce Kawin
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Review: The Japanese Movie by Donald Richie
Ernest Callenbach
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Controversy & Correspondence

Controversy & Correspondence
Stanley Kauffmann, Dan Greenberg
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Back Matter
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Volume Information
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All Issues
On the Necessity of Bad Trans Objects
Desire Lines: Sky Hopinka’s Undisciplining of Vision
Pascale Ferran: A Renegade in French Cinema
Knife to the Heart: A Conversation with Wayne Wang on the Occasion of the Fortieth Anniversary of Chan Is Missing
Digging Up the Future: Almodóvar’s Parallel Mothers
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
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