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Volume 36, Issue 4

Summer 1983

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Interview
Article
Reviews
The Year's Film Books
Controversy & Correspondence

Front Matter

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Interview

A Love of Today: An Interview with Michelangelo Antonioni

Gideon Bachmann; Michelangelo Antonioni

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Article

Tense, Mood, and Voice in Film (Notes after Genette)

Brian Henderson

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Reviews

Review: The King of Comedy by Martin Scorsese, Arnon Milchan

Ed Sikov

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Review: Before the Nickelodeon: The Early Cinema of Edwin Porter by Charles Musser, Steve Brier

John Fell

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The Year's Film Books

Autobiographies and Biographies

Review: Something like an Autobiography by Akira Kurosawa, Audie E. Bock

Alan Jaffe

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[Miscellaneous]

Ernest Callenbach; John Fell; Edward Sikov

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Criticism

Review: Cinema and Sentiment by Charles Affron

Linda Williams

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Review: Profane Mythology by Yvette Biro

Peter Brunette

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Review: 5001 Nights at the Movies by Pauline Kael

Ernest Callenbach

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Review: The Altering Eye: Contemporary International Cinema by Robert Phillip Kolker

Bruce Kawin

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Review: Bertolt Brecht, Cahiers du Cinema, and Contemporary Film Theory by George Lellis

Peter Brunette

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Review: Raymond Chandler and Film by William Luhr

Bruce Kawin

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Review: Women on Film: The Critical Eye by Marsha McCreadie

Ernest Callenbach

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Review: Movies Plus One: Seven Years of Film Reviewing by William S. Pechler

Vivian Sobchack

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Review: Currents in Japanese Cinema by Tadao Sato

Audie Bock

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[Miscellaneous]

Alan Williams; Ernest Callenbach; John Fell; Randolph Man

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Director Studies

Review: The Films of Alain Robbe-Grillet by Roy Armes

Karen Jaehne

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Review: Ingmar Bergman: A Critical Biography by Peter Cowie

Marsha Kinder

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Review: James Whale by James Curtis

Don Willis

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Review: . . . But We Need the Eggs: The Magic of Woody Allen by Diane Jacobs

Harriet Polt

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Review: Eisenstein at Work by Jay Leyda, Zina Voynow

Ernest Callenbach

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Review: Claude Lelouch, Film Director by Peter Lev

Gordon Walters

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Review: Ingmar Bergman and the Rituals of Art by Paisley Livingston

Frank Gado

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Review: Howard Hawks, Storyteller by Gerald Mast

Bruce Kawin

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Review: Kubrick: Inside a Film Artist's Maze by Thomas Allen Nelson

Bill Desowitz

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Review: George Cukor by Gene D. Phillips

Jim Bernardoni

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Review: Antonioni's Visual Language by Ned Rifkin

Seymour Chatman

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Review: Peckinpah: A Portrait in Montage by Garner Simmons

David Desser

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Three G. K. Hall Books

Jonathan Rosenbaum

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Review: The Silent Scream: Alfred Hitchcock's Sound Track by Elisabeth Weis

Alan Williams

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[Miscellaneous]

John Fell; Anthony Slide; Ernest Callenbach

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Genre Studies

Review: The Hollywood Musical by Jane Feuer

Jonathan Rosenbaum

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Review: The Dark Side of the Screen: Film Noir by Foster Hirsch

Peter Hogue

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Review: The J. D. Films: Juvenile Delinquency in the Movies by Mark Thomas McGee, R. J. Robertson

Vivian Koenig

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Review: For One Week Only: The World of Exploitation Films by Richard Meyers

Tom Doherty

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[Miscellaneous]

William Johnson; Don Willis; Karen Jaehne; Ernest Callenbach

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History

Review: The Japanese Film: Art and Industry by Joseph L. Anderson, Donald Richie

Audie Bock

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Review: Sound and the Cinema: The Coming of Sound to the American Film by Evan William Cameron

John Fell

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Review: Before Mickey: The Animated Film 1898-1928 by Donald Crafton

Fabrice Ziolkowski

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Review: Hollywood's Image of the Jew by Lester D. Friedman

Dan Greenberg

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Review: The RKO Story by Richard B. Jewell, Vernon Harbin

Randolph Man

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Review: Brazilian Cinema by Randal Johnson, Robert Stam

Pat Aufderheide

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Review: The Movies in Our Midst: Documents in the Cultural History of Film in America by Mast Gerald

Bruce Kawin

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Review: The Japanese Movie by Donald Richie

Ernest Callenbach

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Controversy & Correspondence

Stanley Kauffmann; Dan Greenberg

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Back Matter

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Volume Information

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