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Volume 26, Issue 2

Winter 1972-1973

ISSN 0015-1386

EISSN 1533-8630

In this Issue

Articles
Reviews
Books
Short Notices

Front Matter

Editor's Notebook

Articles

Two Studies in Space-Time

Lee Atwell

Reappraisals

Gideon Bachmann

Reviews

Review: The Discreet Charm of the Bourgeoisie by Luis Bunuel

Stephen Kovacs

Review: Bad Company by Robert Benton

Richard Corliss

Review: The Salamander by Alain Tanner

Ernest Callenbach

Review: Salome by Carmelo Bene

Gideon Bachmann

Review: Two English Girls (Deux Anglaises et le Continent) by Francois Truffaut

Michael Klein

Review: The Emigrants (Utvandrarna) by Jan Troell

Estelle Changas

Review: Two New Tatis

R. C. Dale

Review: Que Hacer? by Saul Landau, Raul Ruiz, Nina Serrano

R. G. Davis, M. H. Howard

Review: Fellini Roma

Gideon Bachmann

Review: Deliverance by John Boorman

Hal Aigner

Review: Unholy Rollers by Vernon Zimmerman

Paul Schrader

Review: Malcolm X by Marvin Worth, Arnold Perl

Bernard Weiner

Books

Review: Vernon Young on Film: Unpopular Essays on a Popular Art; Cinema Borealis: Ingmar Bergman and the Swedish Ethos

Ernest Callenbach

Review: Screening the Sexes: Homosexuality in the Movies by Parker Tyler

Foster Hirsch

Review: Movie Journal: The Rise of a New American Cinema, 1959-1971 by Jonas Mekas

Ernest Callenbach

Review: Il Cinema Italiano: Servi e Padroni (The Italian Cinema: Lackeys and Bosses) by Goffredo Fofi

David Cast

Review: Movies and Society by Ian C. Jarvie

Robert G. Michels

Short Notices

Review: As Long As the Rivers Run

Ernest Callenbach

Review: Ben and Stanley

Dennis Hunt

Review: The Candidate

Robert Chappetta

Review: Cisco Pike

Ernest Callenbach

Review: Kes

Timothy Pulleine

Review: Memories of Underdevelopment

Horacio D. Lofredo

Review: Play It Again, Sam

Robert G. Michels

Review: Solaris

Peter Kenez

Review: Top of the Heap

Robert Moss

Back Matter

Email alerts

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Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s Digital Activism

Review: The New Female Antihero: The Disruptive Women of Twenty-First-Century US Television, by Sarah Hagelin and Gillian Silverman

Taylor Sheridan Is Sorry but His Characters Are Not: The Messiness of Categorizing Conservative Television

Telluride Film Festival

Il Cinema Ritrovato 2022: History Repeats Itself

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Online ISSN 1533-8630
Print ISSN 0015-1386
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