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Volume 78, Issue 3
Spring 2025
Film Quarterly Cover Image for Volume 78, Issue 3
ISSN 0015-1386
EISSN 1533-8630

From the Editor

Editor’s Notebook
J. M. Tyree
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Special Focus: Hong Kong Cinephilia Reimagined (Edited by Jean Ma)

Introduction: Relocations and Reimaginations
Jean Ma
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Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s
Timmy Chih-Ting Chen
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Cinephile Culture as Infrastructure: Relations and Networks in Hong Kong, 1960s–1980s
Emilie Sin-yi Choi
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Towards a History of Early Experimental Video Practices in Hong Kong
Delaney Chieyen Holton
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Retrospective

Edith Wharton on Film
Sheila Liming
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Interview

Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
Denise Khor
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Columns

Imagination Unbound
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
Ramzi Fawaz
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TV on Demand
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
Laurie Ouellette
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Festival Report

At San Sebastian, Gloomy Films with Potent Notes of Resilience
Randy Malamud
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Exhibition Report

Almodóvar, Madrid’s Cinematic Laureate
Duncan Wheeler
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Screening Report

Mati Diop in NYC
Katarina Docalovich
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Book Reviews

Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld
Kate J. Russell
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Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath
Tanya Silverman
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Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi
Daniel Moore
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Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey
Caitlyn Doyle
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Review: Gaza on Screen, edited by Nadia Yaqub
Michael Anthony Turcios
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Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin
Ella Klik
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Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson
Joshua Baldelomar
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Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré
Megan Wiessner
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All Issues
Edith Wharton on Film
Editor’s Notebook
Anna May Wong’s Labor and Performance: An Interview with Yiman Wang
“More Than We Were Programmed to Be”: Restoring Indigenous Kinship in The Wild Robot
“Live, Laugh, Luminol”: Feminized Fandom at CrimeCon
  • Online ISSN 1533-8630
  • Print ISSN 0015-1386
  • Copyright © 2025
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