Festival Report: For passionate lovers of silent cinema, the first weekend of October is permanently highlighted in the calendar: it is then that a small city in the north of Italy serves up more than just excellent antipasti and chilled Aperol Spritz. Le Giornate del Cinema Muto, or “the days of silent cinema,” commonly known as the Pordenone Silent Film Festival, has been the mecca for film historians and amateurs of “mute flickers” since its founding in 1982. The festival is the largest silent film festival in the world, offering a nine-day bombardment of rediscoveries, restorations, retrospectives, and special events from dusk until well past dawn, projected at the proper speeds and accompanied by such leading early cinema musicians as Neil Brand, John Sweeney, and Günter Buchwald. Film history comes alive. Films reviewed include: Douro, Faina Fluvial (1931), Chuji tabinikki (A Diary of Chuji's Travels, Daisuke Ito, 1927), and Henri Fescourt's 1925–26 rendition of Les Misérables.

This content is only available via PDF.