Wes Craven (1939–2015) wrote and directed horror films that changed the genre for audiences and filmmakers. The Last House on the Left (1972) and The Hills Have Eyes (1977) engage savage violence to critique a self-satisfied complacent culture, while A Nightmare on Elm Street (1984) and Wes Craven's New Nightmare (1994) uncover new philosophical significance in the slasher subgenre. Craven has often been dismissed as merely a genre filmmaker, yet his effect on his genre was profound, precisely because he established genre conventions instead of following them.
Wes Craven: Thinking Through Horror
Caetlin Benson-Allott is Director and Associate Professor of Film and Media Studies at the University of Oklahoma. She is the author of Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing (University of California Press, 2013) and Remote Control (Bloomsbury, 2015).
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Caetlin Benson-Allott; Wes Craven: Thinking Through Horror. Film Quarterly 1 December 2015; 69 (2): 74–76. doi: https://doi.org/10.1525/fq.2015.69.2.74
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