An analysis of Christopher Nolan's science-fiction thriller, Inception, which relates it to Nolan's previous films and argues that the film's multilayered nest of worlds and strangely cold action sequences relate to the commodification of the psyche.
Research Article| March 01 2011
The Lost Unconscious: Delusions and Dreams in Inception
Film Quarterly (2011) 64 (3): 37–45.
- Views Icon Views
- PDF LinkPDF
- Share Icon Share
- Tools Icon Tools
- Search Site
Mark Fisher; The Lost Unconscious: Delusions and Dreams in Inception. Film Quarterly 1 March 2011; 64 (3): 37–45. doi: https://doi.org/10.1525/FQ.2011.64.3.37
Download citation file: