This essay discusses three films which in different ways reflect on left-wing militancy in the late 1960s and 70s——Uli Edel's The Baader Meinhof Complex, Chris Marker's reissued A Grin Without a Cat, Barbet Schroeder's Terror's Advocate——and argues that Marker's is the most insightful.
Research Article| December 01 2009
Why Do Some Images Begin to Tremble?? Cinema Revisits Militant Politics
Film Quarterly (2009) 63 (2): 23–30.
- Views Icon Views
- PDF LinkPDF
- Share Icon Share
- Tools Icon Tools
- Search Site
Nina Power; Why Do Some Images Begin to Tremble?? Cinema Revisits Militant Politics. Film Quarterly 1 December 2009; 63 (2): 23–30. doi: https://doi.org/10.1525/FQ.2009.63.2.23
Download citation file: