Notes

Notes
1
"The Mass Production of the Senses: Classical Cinema as Vernacular Modernism," forthcoming in: Linda Williams and Christine Gledhill, eds., Reinventing Film Studies (Lon- don: Edward Amrnold, 2000)
The Mass Production of the Senses: Classical Cinema as Vernacular Modernism
Reinventing Film Studies
2000
Modernism/Modernity 6.2 (1999): 59-77
59
6
Modernism/Modernity
1999
2
Alexander Kluge, The Public Sphere and Experience (1972), tr. Peter Labanyi, Jamie Daniel, Assenka Oksiloff, intr. M. Hansen (Minneapolis, MN: University of Minnesota Press, 1993)
Kluge
The Public Sphere and Experience (1972)
1972
3
Susan Buck-Morss, "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," October 62 (Fall 1992): 3-41
Buck-Morss
October 62
3
Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered
1992
M. Hansen, "Benjamin and Cinema: Not a One-Way Street," Critical Inquiry 25.2 (Winter 1999): 306-4310.2307/1344205
306
4
Jean-Louis Baudry, Christian Metz, Raymond Bellour, Stephen Heath, Laura Mulvey, and Colin MacCabe in Philip Rosen, ed., Narrative, Ap- paratus, Ideology: A Film Theory Reader (New York: Co- lumbia University Press, 1986)
Baudry
Christian Metz, Raymond Bellour, Stephen Heath, Laura Mulvey, and Colin MacCabe
Narrative, Apparatus, Ideology: A Film Theory Reader
1986
David Bord- well, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York: Columbia University Press, 1985)
Bordwell
The Classical Hollywood Cinema: Film Style and Mode of Production to 1960
1960
D. Bordwell, Narration in the Fiction Film (Madison, WI: Uni- versity of Wisconsin Press, 1985)
Bordwell
Narration in the Fiction Film
1985
K. Thompson, Breaking the Glass Armor: Neoformalist Film Analysis (Princeton, N.J.: Princeton University Press, 1988)
Thompson
Breaking the Glass Armor: Neoformalist Film Analysis
1988
Noel Carroll, The- orizing the Moving Image (New York: Cambridge Univer- sity Press, 1996)
Carroll
Theorizing the Moving Image
1996
N. Carroll, "Prospects for Film Theory: A Personal Assessment," Post-Theory: Reconstructing Film Studies, ed. D. Bordwell and N. Carroll (Madison, WI: Uni- versity of Wisconsin Press, 1996), 37-70
Carroll
Prospects for Film Theory: A Personal Assessment
37
Post-Theory: Reconstructing Film Studies
1996
Jane Gaines, ed., Classical Hollywood Narrative: The Paradigm Wars (Durham, N.C.: Duke University Press, 1992)
Gaines
Classical Hollywood Narrative: The Paradigm Wars
1992
5
Editors of Cahiers du cindma, "John Ford's Young Mr. Lincoln,"
John Ford's Young Mr. Lincoln
Raymond Bellour, "The Obvious and the Code,"
Bellour
The Obvious and the Code
Laura Mulvey, "Visual Pleasure and Narrative Cinema,"
Mulvey
Visual Pleasure and Narrative Cinema
Colin MacCabe, "Theory and Film: Principles of Realism and Pleasure,"
MacCabe
Theory and Film: Principles of Realism and Pleasure
Stephen Heath, "Narrative Space,"
Heath
Narrative Space
Rosen, Narrative, Apparatus, Ideology
Rosen
Narrative, Apparatus, Ideology
Christian Metz, The Imaginary Signifier (1977)
Metz
The Imaginary Signifier
1977
Celia Britton, Annwyl Williams, Ben Brewster, and Alfred Guzzetti (Bloomington, IN: Indiana University Press, 1982)
6
Bordwell, "La Nouvelle Mission de Feuillade; or, What Was Mise-en-Schne?," The Velvet Light Trap 37 (1996): 23
Bordwell
2
37
The Velvet Light Trap
1996
Bordwell, Narration and the Fiction Film, 35
Bordwell
3
Narration and the Fiction Film
Bordwell, On the History of Film Style (Cambridge, MA: Harvard University Press, 1997), 142
Bordwell
14
On the History of Film Style
1997
Bordwell, "Con- vention, Construction, and Cinematic Vision," in Post- Theory, 87-107
Bordwell
Convention, Construction, and Cinematic Vision
87
PostTheory
Kristin Thompson's new study is con- cerned with the persistence of classical principles past 1960
Thompson
persistence of classical principles past
1960
Storytelling in the New Hollywood: Understanding Clas- sicalNarrative Technique (Cambridge, MA: Harvard Uni- versity Press, 1999)
Storytelling in the New Hollywood: Understanding ClassicalNarrative Technique
1999
7
D. N. Rodow- ick, The Crisis of Political Modernism. Criticism and Ide- ology in Contemporary Film Theory (Chicago: Univer- sity of Illinois Press, 1988)
Rodowick
The Crisis of Political Modernism. Criticism and Ideology in Contemporary Film Theory
1988
8
Antonin Artaud, "The Shell and the Clergyman: Film Sce- nario," transition 29-30 (June 1930): 65
Artaud
June
6
29-30
transition
1930
Siegfried Kracauer, Theory of Film (1960
Kracauer
Theory of Film
1960
Princeton, N.J.: Princeton University Press, 1997), 189
Louis Aragon, "On Decor" (1918)
Aragon
On Decor
1918
Richard Abel, ed., French Film Theory and Crit- icism: A History/Anthology, 1907-1939, 2 vols. (Princeton, N.J.: Princeton University Press, 1988), I:165.
Abel
165
I
French Film Theory and Criticism: A History/Anthology, 1907-1939
1907
ibid., Colette, "Cinema: The Cheat"
Abel
Cinema: The Cheat
Louis Delluc, "Beauty in the Cinema" (1917)
Delluc
Beauty in the Cinema
1917
"From Orestes to Rio Jim" (1921)
From Orestes to Rio Jim
1921
Blaise Cendrars, "The Modem: A New Art, the Cin- ema" (1919)
Cendrars
The Modem: A New Art, the Cinema
1919
Jean Epstein, "Magnification" (1921)
Epstein
Magnification
1921
"Bonjour cinema and other writings by Jean Epstein," tr. Tom Milne, Afterimage, no.10 [n.d.]: esp. 9-16
Cinema
10
9
Afterimage
9
Victoria de Grazia, "Americanism for Export," Wedge 7-8 (Winter-Spring 1985): 74-81; 77
Grazia
Winter
7
74-81
Wedge
Mary Nolan, Visions of Modernity: American Business and the Modernization of Germany (New York: Oxford University Press, 1994)
Nolan
Visions of Modernity: American Business and the Modernization of Germany
1994
Thomas J. Saunders, Hollywood in Berlin: American Cin- ema and Weimar Germany (Berkeley, CA: University of California Press, 1994), esp. chaps. 4 & 5
Saunders
chaps. 4 & 5
Hollywood in Berlin: American Cinema and Weimar Germany
1994
Alf Liidtke, Inge Marl3Bolek, Adelheid von Saldern, eds., Amerikanisierung: Traum und Alptraum im Deutschland des 20. Jahrhunderts (Stuttgart: Franz Steiner, 1996)
Liidtke
Inge Marl3Bolek
20
Amerikanisierung: Traum und Alptraum im Deutschland des
1996
Jean-Louis Cohen and Humbert Damisch, eds., Amdricanisme et modernitd: L'iddal amiricain dans l'architecture (Paris: EHESS, Flammarion, 1993)
Cohen
Amdricanisme et modernitd: L'iddal amiricain dans l'architecture
1993
10
K. Thompson, Exporting Entertainment (Lon- don: British Film Institute, 1985)
Thompson
Exporting Entertainment
1985
Ian Jarvie, Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 (New York: Cambridge University Press, 1992)
Jarvie
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950
1992
David W. Ellwood and Rob Kroes, eds., Hollywood in Eu- rope: Experiences of a Cultural Hegemony (Amsterdam: Vrije Universiteit Press, 1994)
Ellwood
Hollywood in Europe: Experiences of a Cultural Hegemony
1994
Ruth Vasey, The WorldAc- cording to Hollywood, 1918-1939 (Madison, WI: Uni- versity of Wisconsin Press, 1997)
Vasey
The WorldAccording to Hollywood, 1918-1939
1918
M. Hansen, Babel and Babylon: Spectatorship in Ameri- can Silent Film (Cambridge, MA: Harvard University Press, 1991), 76-81, 183-87
Hansen
183
Spectatorship in American Silent Film
1991
11
Benjamin develops the notion of an "optical unconscious" in "A Short History of Photography" (1931), tr
optical unconscious
A Short History of Photography
1931
Mitchell, Screen 13 (Spring 1972): 7-8
Mitchell
Spring
7
13
Screen
1972
"The Work of Art in the Age of Mechanical Repro- duction" (1936), Illuminations, ed. Hannah Arendt, tr. Harry Zohn (New York: Schocken, 1969), 235-37
The Work of Art in the Age of Mechanical Reproduction
235
Illuminations
1936
12
"Cult of Distraction" (1926)
Cult of Distraction
1926
Kracauer, The Mass Ornament: Weimar Essays, tr., ed., and intr. Thomas Y. Levin (Cambridge, MA: Harvard University Press, 1995), 323-28
Kracauer
323
The Mass Ornament: Weimar Essays
1995
13
Yuri Tsivian, "Some Preparatory Remarks on Russian Cinema," Silent Witnesses: Russian Films 1908-1919, ed. Paolo Cherchi Usai et al. (London: British Film Institute, 1989), 24
Tsivian
Some Preparatory Remarks on Russian Cinema
2
Silent Witnesses: Russian Films 1908-1919
1908
Mary Ann Doane, "Melodrama, Temporality, Recognition: Amer- ican and Russian Silent Cinema," Cinefocus (Blooming- ton, IN), 2:1 (Fall 1991): 13-26
Doane
1
13
2
Cinefocus
1991
14
Tsivian, "Between the Old and the New: Soviet Film Culture in 1918-1924," Griffithiana 55/56 (1996): 15-63
Tsivian
1996
15
55
Griffithiana
1918
Hansen, Babel and Babylon, 99-101 & passim
Hansen
99
Babel and Babylon
15
Marie Cambon, "The Dream Palaces of Shanghai: Amer- ican Films in China's Largest Metropolis Prior to 1949," Asian Cinema 7 (1995): 34.
Cambon
34
7
Asian Cinema
1949
16
Cheng Jihua, Li Shaobai, Xing Zuwen, "Chinese Cinema: Catalogue of Films, 1905-1937," tr. Derek Elley, Griffithiana 54 (October 1995): 4-91
Jihua
October
4
54
Griffithiana
1905
Elley, "Peach Blossom Dreams: Silent Chinese Cinema Remem- bered," Griffithiana 60/61 (October 1997): 126-79
Elley
61
126
60
Griffithiana
1997
17
Tse-Tung Chow, The May Fourth Movement: Intellectual Revolution in Modern China (Cambridge, MA: Harvard University Press, 1960)
Chow
The May Fourth Movement: Intellectual Revolution in Modern China
1960
Leo Ou-fan Lee, "The Tradition of Modern Chinese Cinema: Some Preliminary Explorations and Hypotheses," in Chris Berry, ed., Perspectives on Chi- nese Cinema (London: British Film Institute, 1991), 6-20
Lee
The Tradition of Modern Chinese Cinema: Some Preliminary Explorations and Hypotheses
6
Perspectives on Chinese Cinema
1991
Ma Ning, "The Textual and Critical Difference of Being Radical: Reconstructing Chinese Leftist Films of the 1930s," Wide Angle 11.2 (1989): 22-31
Ning
1989
22
11
Wide Angle
1930
Chris Berry, "Poiso- nous Weeds or National Treasures: Chinese Left Cinema in the 1930s," Jump Cut 34 (1989): 187-94
Berry
187
34
Jump Cut
1930
Paul Pickowicz, "The Theme of Spiritual Pollution in Chinese Films of the 1930s," Modern China 17.1 (January 1991): 38-7510.2307/189251
38
Jay Leyda, Dianying: Electric Shad- ows: An Account of Films and the Film Audience in China (Cambridge, MA: MIT Press, 1972)
Leyda
Dianying: Electric Shadows: An Account of Films and the Film Audience in China
1972
Scott Meek and Tony Rayns, Electric Shadows: 45 Years of Chinese Cinema (London: British Film Institute, 1980)
Meek
Electric Shadows: 45 Years of Chinese Cinema
1980
John Ellis, "Electric Shadows in Italy," Screen 23.2 (July/August 1982): 79-83
Ellis
2
79
23
Screen
1982
Marie-Claire Quiquemelle and Jean-Loup Passek, eds., Le Cinema Chinois (Paris: Centre Georges Pompidou, 1985)
Quiquemelle
Le Cinema Chinois
1985
18
Paul Pickowicz, "Melodramatic Representation and the 'May Fourth' Tradition of Chinese Cinema," in Ellen Wid- mer and David Wang, eds., From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China (Cambridge, MA: Harvard University Press, 1993), 308
Pickowicz
Melodramatic Representation and the 'May Fourth' Tradition of Chinese Cinema
30
From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China
1993
William Rothman, "The Goddess: Reflections on Melodrama East and West," in Wimal Dis- sanayake, ed., Melodrama and Asian Cinema (Honolulu: University of Hawaii Press, 1993), 59-72
Rothman
The Goddess: Reflections on Melodrama East and West
59
Wimal Dissanayake
1993
Christine Gledhill, ed., Home Is Where the Heart Is: Stud- ies in Melodrama and the Woman's Film (London: British Film Institute, 1987)
Gledhill
Home Is Where the Heart Is: Studies in Melodrama and the Woman's Film
1987
Gledhill's introduction, "The Melodramatic Field: An Investigation," 5-39
Introduction
5
The Melodramatic Field: An Investigation
19
Leo Ou-fan Lee, Shanghai Modern: The Flowering of New Urban Culture in China, 1930-1945 (Cambridge, MA: Harvard University Press, 1999)
Lee
Shanghai Modern: The Flowering of New Urban Culture in China, 1930-1945
1930
edited by Yingjin Zhang, Romance, Sexuality, Identity: Cinema and Urban Culture in Shanghai, 1922-1943 (Stanford, CA: Stanford University Press, 1999)
Zhang
Romance, Sexuality, Identity: Cinema and Urban Culture in Shanghai, 1922-1943
1922
Zhang Zhen, "'An Amorous History of the Silver Screen': Film Culture, Urban Modernity, and the Vernacular Ex- perience in China, 1896-1937," Ph.D. dissertation (Uni- versity of Chicago, 1998)
20
Frederic Wakeman, Jr., Polic- ing Shanghai 1927-1937 (Berkeley, CA: University of Cal- ifornia Press, 1995)
Wakeman
Policing Shanghai 1927-1937
1927
Betty Peh-T'i Wei, Shanghai: Crucible of Modern China (New York: Oxford University Press, 1987)
Wei
Shanghai: Crucible of Modern China
1987
Bryna Goodman, Native Place, City, and Na- tion: Regional Networks and Identities in Shanghai, 1853-1937 (Berkeley, CA: University of California Press, 1995)
Goodman
Native Place, City, and Nation: Regional Networks and Identities in Shanghai, 1853-1937
1937
The Consequences of Modernity (Stan- ford, CA: Stanford University Press, 1990)
The Consequences of Modernity
1990
Modernity and Self-Identity: Self and Society in the Late Modern Age (Stanford, CA: Stanford University Press, 1991)
Modernity and Self-Identity: Self and Society in the Late Modern Age
1991
21
Pickowicz, "Melodramatic Representation," 307.
Pickowicz
307
Melodramatic Representation
22
Leyda, Dianying, 79.
Leyda
79
Dianying
23
Rey Chow, Primitive Passions: Visuality, Sexuality, Ethnog- raphy, and Contemporary Chinese Cinema (New York: Co- lumbia University Press, 1995), 21.
Chow
21
Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
1995
24
Yingjin Zhang, The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender (Stan- ford, CA: Stanford University Press, 1996), 203f.
Zhang
203f
The City in Modern Chinese Literature and Film: Configurations of Space, Time, and Gender
1996
25
Kristine Harris, "The New Woman: Image, Subject, and Dissent in 1930s Shanghai Film Culture," Republi- can China 20.2 (1995): 55-79
Harris
1995
55
20.2
Republican China
1930
"The New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai," in Transnational Chinese Cinemas: Identity, Nationhood, Gender, ed. Sheldon Hsiao- peng Lu (Honolulu, HI: University of Hawaii Press, 1997), 277-302
The New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai
277
Transnational Chinese Cinemas: Identity, Nationhood, Gender
1935
26
Rothman, "The Goddess," 66
Rothman
6
The Goddess
27
Harris, "The New Woman Incident," and documents in Elley, ed., "Peach Blossom Dreams," 137-43
Harris
The New Woman Incident
137
Peach Blossom Dreams
28
The Mass Or- nament, 75-86
75
The Mass Ornament
29
Sun Yu in Elley, ed., "Peach Blossom Dreams," 145-61
Elley
145
Peach Blossom Dreams
"A Gentle Discourse on a Genius: Sun Yu,"
A Gentle Discourse on a Genius: Sun Yu
Li Cheuk-To, "Eight Films of Sun Yu," tr. Jacob Wong, Cinemaya: The Asian Film Magazine II (1991): 53-63
Cheuk-To
Eight Films of Sun Yu
53
II
Cinemaya: The Asian Film Magazine
1991
Chris Berry, "The Sublimative Text: Sex and Revolution in Big Road," East-West Film Journal 2.2 (June 1988): 66-86
Berry
2
66
2
East-West Film Journal
1988
30
Frank Borzage's film Seventh Heaven (1927)
Borzage
film Seventh Heaven
1927
Day- break echoes
Daybreak echoes
Paolo Cherchi Usai, program note, Le Gior- nate del Cinema Muto, Pordenone, 1995
Usai
Le Giornate del Cinema Muto
1995
31
D. Bordwell and K. Thompson, Film Art: An Introduction, 4th ed. (New York: McGraw- Hill, 1993), 69, 82
Bordwell
4
8
Film Art: An Introduction
1993
Murray Smith, Engaging Char- acters: Fiction, Emotion, and the Cinema (New York: Oxford University Press, 1995)
Smith
Engaging Characters: Fiction, Emotion, and the Cinema
1995
"The Filmic Character" of Iris: A Journal of Theory on Image and Sound 24 (Autumn 1997)
Autumn
24
Iris: A Journal of Theory on Image and Sound
1997
33
Dishonored
34
Leyda, Dianying, 13
Leyda
13
Dianying
Chow, Primitive Passions 4-11
Chow
2
Primitive Passions
Ma Ning, "The Textual and Critical Differ- ence of Being Radical," 23
Ning
2
The Textual and Critical Difference of Being Radical
35
Ackbar Abbas, Hong Kong: Culture and the Politics ofDis- appearance (Minneapolis, MN: University of Minnesota Press, 1997), 12.
Abbas
12
Hong Kong: Culture and the Politics ofDisappearance
1997
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