Notes

Notes
1
W. R. Robinson, "The Movies As a Revolutionary Moral Force, Part II." Contempora 2.1 (1972), p. 27.
Robinson
27
2.1
Contempora
1972
2
David Bordwell, Janet Staiger, and Kristin Thomp- son's The Classical Hollywood Cinema and Mode of Pro- duction to 1960 (New York: Columbia University Press, 1985), pp. 75, 77.
Bordwell
75
The Classical Hollywood Cinema and Mode of Production to 1960
1985
3
Ibid., p. 77.
77
4
Ibid., p. 13.
13
5
Ibid., pp. 32, 24.
32
6
Ibid., p. 77.
77
7
Vivian Sobchack, The Address of the Eye: A Phenomenol- ogy of Film Experience (Princeton, N.J.: Princeton Uni- versity Press, 1992), p. xviii.
Sobchack
xviii
The Eye: A Phenomenology of Film Experience
1992
8
"The Movies As a Revolutionary Moral Force, Part I," Contempora 1.6 (1971), p. 15.
15
1.6
Contempora
1971
9
"The Movies As a Revolutionary Moral Force, Part II," p. 33.
33
The Movies As a Revolutionary Moral Force, Part II
10
Mary McDermott's article, "2001 and the Literary Sensi- bility," The Georgia Review 26 (1972), 26-37
McDermott
26
26
The Georgia Review
1972
"The Organic Narrative: Word and Image in Barry Lyndon," Film Criticism 3.2 (1979), 18-3 1
18
3.2
Film Criticism
1979
11
W.R. Robinson, Man and the Movies (Baltimore, MD: Penguin, 1969), p. 126.
Robinson
126
Man and the Movies
1969
12
Sobchack, p. xviii.
xviii
13
Ibid., p.5.
5
14
"The Movies as a Revolutionary Moral Force, Part II," p. 27.
27
The Movies as a Revolutionary Moral Force, Part II
16
Taken from an unpublished manuscript, From Myth to Monism: The Narrative Feats of Plato and Aristotle, p. 24.
17
The Classical Hollywood Cinema, p. 373.
373
The Classical Hollywood Cinema
18
Sobchack, p. 226.
226
19
Ibid., p. 13.
13
20
Dudley Andrew. "The Neglected Tradition of Phenome- nology in Film Theory," Wide Angle 2.2 (1978), p. 46
Andrew
46
2.2
Wide Angle
1978
21
The Address of the Eye, Sobchack
Andrew's article
Film and Philosophy 1 (1994), pp. 29-38
29
1
Film and Philosophy
1994
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