Notes

Notes
1
Eric J. Hobsbawm, Bandits (New York: Pantheon, 1981), p. 136
Hobsbawm
136
Bandits
1981
2
Ibid., p. 36.
36
3
Ibid., p. 19.
19
4
John Hooper, The Spaniards: A Portrait of the New Spain (New York: Penguin, 1987), pp. 25-34.
Hooper
25
The Spaniards: A Portrait of the New Spain
1987
5
Ibid., pp. 27-28.
27
Ibid., p. 29.
29
7
Antonio Gramsci, Prison Notebooks (London: Lawrence & Wishart, 1971), pp. 157-58.
Gramsci
157
Prison Notebooks
1971
8
Hobsbawm, p. 23.
23
9
Martin Clark, Modern Italy, 1871-1982, Longman His- tory of Italy, vol. 7 (New York: Longman, 1984), p. 369.
Clark
369
7
Modern Italy, 1871-1982, Longman History of Italy
10
Marsha Kinder, Blood Cinema: The Reconstruction of National Identity in Spain (Berkeley, CA: University of California Press, 1993), chapter 1
Kinder
chapter 1
The Reconstruction of National Identity in Spain
1993
Los Golfos
Kinder, pp. 90-111
90
Marvin D'Lugo, The Films of Carlos Saura: The Practice ofSeeing (Princeton, N. J.: Princeton University Press, 1991), pp. 29-45
Lugo
29
The Films of Carlos Saura: The Practice ofSeeing
1991
11
D'Lugo, pp.30-42, 45-54
30
Kinder, pp. 155-65
155
12
Jacques Lacan, The Four Fundamental Concepts of Psychoanalysis, ed. Jacques-Alain Miller, trans. Alan Sheridan (New York: Norton, 1978), chapters 6, 9
Lacan
chapters 6
9
The Four Fundamental Concepts of Psychoanalysis
1978
13
Lacan, pp. 95-96
95
14
Slavoj Zifek, Looking Awry: An Introduction to Jacques Lacan through Popular Culture (Cambridge, MA: MIT Press, 1992), pp. 48-54.
Zifek
48
Looking Awry: An Introduction to Jacques Lacan through Popular Culture
1992
15
Hobsbawm, p. c.
53
16
Marsha Kinder, "Subversive Potential of the Pseudo-It- erative," Film Quarterly, vol. 43, no. 2 (Winter 1989-90), pp. 2-16.10.2307/1212804
2
18
Pier Paolo Pasolini, "Il mio Accattone in tv dopo il genocidio," in Lettere luterane (Torino: Einaudi, 1976), pp. 152-64.
Pasolini
Il mio Accattone in tv dopo il genocidio
152
Lettere luterane
19
Cesare Zavattini, "A Thesis on Neorealism," in Spring- time in Italy: A Reader on Neorealism, ed. David Overbey (Hamden, CT: Archon Books, 1979).
Zavattini
A Thesis on Neorealism
Springtime in Italy: A Reader on Neorealism
1979
20
P. Adams Sitney, Vital Crises in Italian Cinema: Iconogra- phy, Stylistics, Politics (Austin: TX: University of Texas Press, 1995), pp. 203-05
Sitney
203
Iconography, Stylistics, Politics
1995
21
Homi K. Bhabha, "DissemiNation," in Nation and Narration, ed. Homi Bhabha (New York: Verso, 1993)
Bhabha
DissemiNation
Nation and Narration
1993
22
David Harvey, The Condition ofPostmodernity (Oxford: Blackwell, 1989), and Edward Soja, Postmodern Geogra- phies (New York: Verso, 1993)
Harvey
The Condition ofPostmodernity
1993
23
Fredric Jameson, "Postmodernism, or the Cultural Logic of Late Capitalism," New Left Review 46 (July/Aug. 1984), p. 87.
Jameson
87
46
New Left Review
24
Michel Foucault, Power/Knowledge: Selected Interviews and Other Writings, 1972-1977, ed. Colin Gordon, trans. C. Gordon et al. (New York: Pantheon, 1980), p. 85.
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