Notes

Notes
2
"The Interna- tional Film Festival and Global Cinema," East-West Jour- nal 8, no. 1 (1994)
1
8
East-West Journal
1994
3
Cameron Bailey, David McIntosh, Geeta Sondi, "Perspec- tive Canada," Toronto International Film Festival of Festi- vals Catalogue (Toronto: Festival of Festivals, 1992), p. 235.
Bailey
Perspective Canada
235
Toronto International Film Festival of Festivals Catalogue
1992
4
Dimitri Eipides, "Iranian Cinema," Toronto International Film Festival of Festivals Catalogue, p. 277.
Eipides
Iranian Cinema
277
Toronto International Film Festival of Festivals Catalogue
5
Peter Broderick, "Introduction," The Back of Beyond: Discovering Australian Film and Television (Sydney: Australian Film Commission, 1988), p. vii.
Broderick
Introduction
vii
The Back of Beyond: Discovering Australian Film and Television
1988
6
"Contemporary World Cinema," Festival of Festivals Catalogue, p. 87.
Contemporary World Cinema
87
Festival of Festivals Catalogue
7
"The cinema is a body (a corpus for the semiologist), a fetish that can be loved." Christian Metz, The Imaginary Signifier (Bloomington, IN: Indiana University Press, 1982), p. 57.
The cinema is a body (a corpus for the semiologist), a fetish that can be loved
57
The Imaginary Signifier
1982
8
Clifford Geertz, "Deep Play: Notes on the Balinese Cock- fight," in The Interpretation of Cultures (New York: Basic Books, 1973).
Geertz
Deep Play: Notes on the Balinese Cockfight
The Interpretation of Cultures
1973
9
Geertz, "Deep Play," p. 452.
10
Vincent Crapazano, "Hermes' Dilemma: The Masking of Subversion in Ethnographic Description," in James Clifford and George Marcus, eds., Writing Cul- ture (Berkeley, CA: University of California Press, 1986)
Crapazano
Hermes' Dilemma: The Masking of Subversion in Ethnographic Description
Writing Culture
1986
11
E. Ann Kaplan, "Melodrama/Subjectivity/Ideology: West- ern Melodrama Theories and their Relevance to Recent Chinese Cinema," East-West Journal 5, no. 1 (January 1991), p. 7
Kaplan
1
7
5
East-West Journal
1991
12
Ibid, p. 7.
13
"Sexual Politics and National Liberation: Films From Vietnam," UCLA Film and Television Archives Study Guide (Los Angeles, CA: UCLA Film and Television Archives, 1992), pp. 7-15
Sexual Politics and National Liberation: Films From Vietnam
7
UCLA Film and Television Archives Study Guide
1992
14
Dean MacCannell, The Tourist: A New Theory of the Leisure Class (New York: Schocken, 1976)
MacCannell
The Tourist: A New Theory of the Leisure Class
1976
(Woman/Native/Other [Bloomington, IN: Indiana University Press, 1989], pp. 67-68)
67
Woman/Native/Other
1989
15
Mohammad Attebai, Toronto International Film Festival, September 25, 1992
16
Fredric Jameson makes this argument in Postmodernism, or the Cultural Logic of Late Capitalism (Durham, N.C.: Duke University Press, 1991)
Postmodernism, or the Cultural Logic of Late Capitalism
1991
17
Hamid Naficy that provide contextual information and valuable insight into Iranian cinema are "Islamizing Film Culture in Iran," in Samih K. Farsound and Mehrad Mashayekhi, eds., Iran: Political Culture in the Islamic Republic (London: Routledge, 1992), pp. 173-208
Farsound
173
Iran: Political Culture in the Islamic Republic
1992
"Women and the Semiotics of Veiling and Vision in Cinema," The American Journal of Semiotics 8, no. 1/2 (1991), pp. 46-64
1
46
8
The American Journal of Semiotics
1991
Antoine de Baecque, "Le Réel a tremblé," (review of Life and Nothing More) and de Baecque, "Entretien avec Abbas Kiarostami," both in Cahiers du Cinema, no. 461 (November 1992)
De Baecque
461
Cahiers du Cinema
1992
18
Ms. 45, I Spit on Your Grave, and Ladies Club
I Spit on Your Grave, and Ladies Club
Carol J. Clover, Men, Women and Chainsaws (Princeton, N.J.: Princeton University Press, 1992)
Clover
Men, Women and Chainsaws
1992
19
Life and Nothing More
Life and Nothing More
20
Interview with the author September 19, 1992, Festival of Festivals, Toronto, Canada
21
The Peddler
The Peddler
The Georgia Straight (Oct. 6-13, 1989)
Oct. 6
The Georgia Straight
1989
22
David Bordwell, Narration in the Fiction Film (Madison, WI: University of Wisconsin Press, 1985).
Bordwell
Narration in the Fiction Film
1985
23
Paul Schrader, Transcendental Style in Film: Ozu, Bresson, Dreyer (Berkeley, CA: Uni- versity of California Press, 1972)
Schrader
Transcendental Style in Film: Ozu, Bresson, Dreyer
1972
David Bordwell, Narration in the Fiction Film
Bordwell
Narration in the Fiction Film
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