Notes

Notes
1
The Liberation of Echo: A New Hearing for Film Sound, Film Quarterly, v. XXXVIII, no. 4, Summer 1985, pages 2-12
4
2
XXXVIII
Film Quarterly
1985
2
"In Defense of Talking Film," Persistence of Vision, no. 5, Spring 1987, pages 17-27
5
17
Persistence of Vision
1987
Hitchcock's Notorious
Hitchcock
Notorious
A Life in Movies: An Autobiography (New York, 1987)
A Life in Movies: An Autobiography
1987
page 168
Edge of the World (page 258)
258
Edge of the World
One of Our Aircraft Is Missing (pages 289-91)
289
One of Our Aircraft Is Missing
A Canterbury Tale (page 448)
448
A Canterbury Tale
I Know Where I'm Going (page 537)
537
I Know Where I'm Going
Black Narcissus (pages 581-5)
581
Black Narcissus
4
"Moving Lips: Cinema As Ventriloquism," Yale French Studies, no. 60, 1980, pages 67-79
60
67
Yale French Studies
1980
note 10
Roy Armes, in "Entendre, C'est Comprendre: In Defence of Sound Reproduction," Screen, v. 29, no. 2, Spring 1988, pages 8-22
Armes
2
8
29
Screen
1988
6
Film/Cinema/Movie: A Theory of Experience, Chicago and London, 1977/1983, page 4
4
Film/Cinema/Movie: A Theory of Experience
1977
7
FSI, pages 6-8
8
FSI
9
Umberto Eco, A Theory of Semiotics, Bloomington and London, 1976, especially the summary on pages 233-4.
Eco
A Theory of Semiotics
1976
10
Genre: The Musical, ed. Rick Altman (London, Boston and Henley, 1981)
Altman
Genre: The Musical
1981
Raymond Bellour's "Segmenting/Analysing," pages 102-133,
Bellour
102
Segmenting/Analysing
in Altman's critique of Bellour, page 203
Altman
203
Critique of Bellour
Altman's later study, The American Film Musical (Bloomington and Indianapolis, 1987)
Altman
The American Film Musical
1987
page 109
Christian Metz's grande syntag- matique
Metz
Grande syntagmatique
"Segmentation," Film Quarterly, v. XXXI no. 1, Fall 1977, pages 57-65
1
57
XXXI
Film Quarterly
1977
11
Roland Barthes, Image, Music, Text, New York, 1977, page 89.
Barthes
89
Image, Music, Text
1977
12
Hathaway's Kiss of Death
Hathaway
Kiss of Death
Resnais's Last Year at Marienbad
Resnais
Last Year at Marienbad
14
FSI
Naruse's Meshi
Naruse
Meshi
15
The Maltese Falcon
The Maltese Falcon
The Big Sleep lacks
The Big Sleep
18
Landow's Film That Rises to the Surface of Clarified Butter
Landow
Film That Rises to the Surface of Clarified Butter
19
The In- terpretation of Dreams, Dora: An Analysis of a Case of Hysteria, Jensen's "Gradiva, "Notes Upon a Case of Ob- sessional Neurosis, and Introductory Lectures on Psycho- analysis
The Interpretation of Dreams, Dora: An Analysis of a Case of Hysteria, Jensen's "Gradiva, "Notes Upon a Case of Obsessional Neurosis, and Introductory Lectures on Psychoanalysis
20
Mary Ann Doane, The Desire to Desire, Bloomington and Indianapolis, 1987, page 14.
Doane
14
The Desire to Desire
1987
21
Christian Metz, The Imaginary Signifier, Bloomington, 1982, page 51
Metz
51
The Imaginary Signifier
1982
"images accompained by sound and movement" (page 124)
124
Images accompained by sound and movement
22
Jean-Pierre Oudart, "Cinema and Suture," Screen, v. 18 no. 4, Winter 1977-8, pages 35-47
Oudart
4
35
18
Screen
1977
Daniel Dayan, "The Tutor-code of Classical Cinema," Film Quarterly, v. XXVIII no. 1, Fall 1974, pages 22-3110.2307/1211439
22
23
The Subject of Semi- otics, New York, 1983, page 201
201
The Subject of Semiotics
1983
24
Stephen Heath, Questions of Cinema, Bloomington, 1981, page 100.
Heath
100
Questions of Cinema
1981
25
Silverman, op. cit., page 213.
213
26
Ibid., page 221
221
Mythologies (New York, 1972, page 41)
41
Mythologies
1972
Zinnemann's From Here to Eternity
Zinnemann
From Here to Eternity
27
LeRoy's I Am a Fugitive from a Chain Gang
LeRoy
I Am a Fugitive from a Chain Gang
Mayo's Black Legion
Mayo
Black Legion
Conway's Red Headed Woman
Conway
Red Headed Woman
29
Silverman, op. cit., page 85.
85
30
Silverman, The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Bloomington and Indianap- olis, 1988, page 45.
Silverman
45
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
1988
31
Op. cit., page 23.
23
32
Teresa de Lauretis in Alice Doesn't: Feminism, Semiotics, Cinema (Bloomington, 1984)
de Lauretis
Alice Doesn't: Feminism, Semiotics, Cinema
1984
Silverman in The Acoustic Mirror
Silverman
The Acoustic Mirror
Doane in The Desire to Desire
Doane
The Desire to Desire
Tania Modleski in The Women Who Knew Too Much: Hitchcock and Feminist Theory (New York and London, 1988)
Modleski
The Women Who Knew Too Much: Hitchcock and Feminist Theory
1988
33
Doane, op. cit., page 97ff.
97
34
Modleski, op. cit.
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