Michael Arlen, "Fred Wiseman's Kino Pravda" in The Camera Age (Toronto: McGraw-Hill, 1976), p. 120.
The Camera Age
Roland Tuch, "Frederick Wiseman's Cinema of Alienation: A Vision of Work on the Assembly Line," Film Library Quarterly II (1978), p. 14.
Film Library Quarterly
Bill Nichols, Ideology and the Image: Social Represen- tation in the Cinema and Other Media (Bloomington: Indiana University Press, 1981), p. 211
Ideology and the Image: Social Representation in the Cinema and Other Media
"Although Wiseman's films are not self- reflexive in a formalist or political (Brechtian) sense, neither are they simple transparencies of a bourgeois world that we, as spectators, passively contemplate" (p. 235)
Barbara and John Ehrenreich, "The Professional- Managerial Class," ed. Pat Walker, Between Labor and Capital (Boston: South End Press, 1979), pp. 5-45
Between Labor and Capital
Richard Fuller, "Basic Training," Frederick Wise- man, Thomas R. Atkin, ed. (New York: Monarch Press, 1976), pp. 103-112
John Berger, Ways of Seeing (New York: Viking Press, 1973)
Ways of Seeing
Stuart Ewen, Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture (New York: McGraw- Hill, 1976)
Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture
Warren I. Susman, "'Personality' and the Making of Twentieth-Century Culture," in J. Highman & P. K. Conklin, eds., New Directions in American Intellectual History (Baltimore: John Hopkins University Press, 1979), pp. 217-218.
New Directions in American Intellectual History
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," Illuminations, trans., Harry Zohn (New York: Harcourt, Brace & World, 1955), p. 235.
Fredric Jameson, "Reflections in Conclusion," Aes- thetics and Politics (London: New Left Books, 1978), pp. 204-205
Aesthetics and Politics
Sylvia Harvey, May '68 and Film Culture (London: British Film Institute, 1980), p. 81
May '68 and Film Culture
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