The cinematic double feature Grindhouse (2007) both celebrates cinematic history and typifies post-theatrical distribution practices. The film thematizes this paradox in the aesthetic tension between its two features, Planet Tenor and Death Proof, but each movie also offers a unique reinterpretation of its exploitation genre.

Keywords:
Grindhouse, Quentin Tarantino, Robert Rodriguez, Death Proof, Planet Terror
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© 2008 by the Regents of the University of California.
2008
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