In Stanley Cavell’s classical Hollywood “comedies of remarriage,” couples overcome their feelings of doubt and insecurity in their relationship through conversation and confrontation, resulting in a form of mutual acknowledgment that spurs a meaningful connection with each other and with the world. Rose Glass’s neo-noir Love Lies Bleeding explores many of the ideas Cavell considers in the context of love, desire, conflict and conversation between two women. This article explores how the film’s central couple, comprising detached tomboy Lou (Kristen Stewart) and volatile bodybuilder Jackie (Katy O’Brien), both confirms and questions the terms of Cavell’s remarriage comedies’ relation to skeptical doubt and the shared fantasy of everyday adventure.
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Winter 2024
Research Article|
December 01 2024
Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding
Michelle Devereaux
Michelle Devereaux
Michelle Devereaux is a film scholar and educator. She received her PhD in film studies from the University of Edinburgh. Her monograph, The Stillness of Solitude: Romanticism and Contemporary American Independent Film, was published in 2019 by Edinburgh University Press, and her recent work has appeared in Screen, The Bloomsbury Handbook to Sofia Coppola, and Television with Stanley Cavell in Mind. She is currently completing a book on Cavell, skepticism, and gender in contemporary film and television.
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Film Quarterly (2024) 78 (2): 24–32.
Citation
Michelle Devereaux; Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass’s Love Lies Bleeding. Film Quarterly 1 December 2024; 78 (2): 24–32. doi: https://doi.org/10.1525/fq.2024.78.2.24
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