FQ columnist Caetlin Benson-Allott identifies a new, noteworthy pattern in North American cinema: independent filmmakers crafting narratives about African-American rural women struggling to survive oppressive white communities. Centering her discussion around Nia DaCosta's Little Woods (2018), Jasmin Mozaffari's Firecrackers (2018), and Tate Taylor's Ma (2019), Benson-Allott suggests that these films allow viewers to glimpse the intersections of race, gender, and geography rarely explored in mainstream media.
This content is only available via PDF.
© 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
2019
You do not currently have access to this content.