This article is the translation of an important critical review of Paz Encina's first feature film, Paraguayan Hammock (2006), by noted critic Ticio Escobar, originally published in Spanish as “El Claro,” in the book La cámara sin ley: Hamaca Paraguaya y la refundación globalizada del cine guaraní, edited by Alejo Magariños (Servilibro: Asunción, 2016), 19–24.

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