An essay on and interview with Roy Andersson about A Pigeon Sat on a Branch Reflecting on Existence in which the writer-director discusses the final installment of his Living Trilogy in terms of his use of artifice, of non-professional actors, of merciless lighting, cinema’s relation to other art forms, realism versus abstraction, Swedish and global history, and anachronism.
This content is only available via PDF.
© 2015 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
2015
You do not currently have access to this content.
University of California Press