An interview with Eugène Green about La Sapienza, in which the director discusses his drama concerning an architect’s renewal through an excursion to Francesco Borromini’s masterworks in terms of natural light, Baroque culture, using absence to suggest presence, and the importance of a sense of belonging.
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Research Article| June 01 2015
Maximum Emotions, Minimum Words: Interview with Eugène Green
Film Quarterly (2015) 68 (4): 52–58.
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Megan Ratner; Maximum Emotions, Minimum Words: Interview with Eugène Green. Film Quarterly 1 June 2015; 68 (4): 52–58. doi: https://doi.org/10.1525/fq.2015.68.4.52
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