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Homay King is Associate Professor in the Department of History of Art at Bryn Mawr College. She has been a member of the Camera Obscura editorial collective since 2011. Her book Lost in Translation: Orientalism, Projection, and the Enigmatic Signifier (Duke University Press) was published in 2010. Her essays on film and visual culture have appeared in Afterall, Discourse, and OCTOBER. She is currently completing a book entitled Virtual Memory.
Homay King; Born Free? Repetition and Fantasy in The Act of Killing. Film Quarterly 1 December 2013; 67 (2): 30–36. doi: https://doi.org/10.1525/fq.2014.67.2.30
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