Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely

Cook, Ryan

doi:10.1525/fq.2012.66.1.73

Article navigation

Research Article| September 01 2012

Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely

Isolde Standish,

Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s

.

New York

:

Continuum

,

2011

. $110.00 cloth; $29.95 paper.

216 pages

.

Miryam B. Sas,

Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return

.

Cambridge, MA

:

Harvard East Asia Monographs

,

2011

. $39.95 cloth.

300 pages

.

Steven Ridgely,

Japanese Counterculture: The Antiestablishment Art of Terayama Shuji

.

Minneapolis

:

University of Minnesota Press

,

2010

. $67.50 cloth; $22.50 paper.

264 pages

.

Ryan Cook

RYAN COOK is a Ph.D. candidate in Film Studies and Japanese Literature at Yale University.

Search for other works by this author on:

This Site

PubMed

Google Scholar

Film Quarterly (2012) 66 (1): 73–76.

https://doi.org/10.1525/fq.2012.66.1.73

You do not currently have access to this content.

Don't already have an account? Register

You could not be signed in. Please check your email address / username and password and try again.

Article PDF first page preview

Citing articles via

Email alerts

Stay Informed

Disciplines

Courses

Products

Resources

Support Us

About UC Press

Contact Us