Skip Nav Destination
Article navigation
Fall 2012
Research Article|
September 01 2012
Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely
Isolde Standish,
Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s
. New York
: Continuum
, 2011
. $110.00 cloth; $29.95 paper. 216 pages
.Miryam B. Sas,
Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return
. Cambridge, MA
: Harvard East Asia Monographs
, 2011
. $39.95 cloth. 300 pages
.Steven Ridgely,
Japanese Counterculture: The Antiestablishment Art of Terayama Shuji
. Minneapolis
: University of Minnesota Press
, 2010
. $67.50 cloth; $22.50 paper. 264 pages
.
Ryan Cook
Ryan Cook
RYAN COOK is a Ph.D. candidate in Film Studies and Japanese Literature at Yale University.
Search for other works by this author on:
Film Quarterly (2012) 66 (1): 73–76.
Citation
Ryan Cook; Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely. Film Quarterly 1 September 2012; 66 (1): 73–76. doi: https://doi.org/10.1525/fq.2012.66.1.73
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
University of California Press