This essay examines the relations between documentary style and political sensibility in the cinema of William Klein. It is structured around cultural phenomena that have remained integral to his artistic career, and encourages a more thorough engagement with the work of this diverse, inventive, and important filmmaker.

Keywords:
William Klein, documentary, modernism, politics, photographer–filmmakers
This content is only available via PDF.
© 2012 by The Regents of the University of California
2012
You do not currently have access to this content.