Looking back at the postwar films of Raffaello Matarazzo (specifically, Chains, Tormento, Nobody's Children, and The White Angel), this essay comparatively resituates Italian melodrama in terms of nationally marked conceptions of the popular that help produce an alternative critical perspective onto the period to that offered by neorealism.
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Research Article| March 01 2012
Reopening the Matarazzo Case
Erik Bachman ;
Film Quarterly (2012) 65 (3): 59–65.
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Erik Bachman, Evan Calder; Reopening the Matarazzo Case. Film Quarterly 1 March 2012; 65 (3): 59–65. doi: https://doi.org/10.1525/fq.2012.65.3.59
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