How can cinema represent, let alone dramatize, the impersonal and amorphous complexities of modern-day fnancial capitalism, especially at a time of crisis? This article provides both an historical account of past attempts to and a survey of films that struggle with the problem of fnding cinematic form for the 2008 banking collapse.
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© 2011 by the Regents of the University of California.
2011
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University of California Press