A review of work by Danièèle Huillet and Jean-Marie Straub——Chronicle of Anna Magdalena Bach (1967), Class Relations (1984), Sicily! (1998), and A Visit to the Louvre (2004)——which discusses the ““Straubian shot,”” use of sound and music, and the films' demand for a fully attentive and ““fraternal”” form of spectatorship.

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