Armenian Canadian director Atom Egoyan's recent films, Adoration (2006) and Chloe (2009), and his art installations, pursue and complicate his career-long interest in technology and its intersections with desire and fantasy. In an interview with Emma Wilson, Egoyan discusses these works and reflects more broadly on filmmaking in the digital age.
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© 2010 by the Regents of the University of California.
2010
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