An essay about the 2008 vampire boom, from the bland teen favorite Twilight to, more notably, Let the Right One In (which combines ““dirty realism”” with a misfit love story) and the TV series True Blood (whose liberal politics of tolerance for minorities opens up to less easily classifable forms of sex and violence).
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Research Article| December 01 2009
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J. M. Tyree; Warm-Blooded: True Blood and Let the Right One In. Film Quarterly 1 December 2009; 63 (2): 31–37. doi: https://doi.org/10.1525/FQ.2009.63.2.31
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