Errol Morris's Standard Operating Procedure offers the U.S. soldiers accused of detainee abuse at the Abu Ghraib military prison in Iraq a forum in which to give accounts of their infamous photographs. However, the vexing digitality of those images foregrounds the role of interpretation in the construction of visual evidence.

Keywords:
Standard Operating Procedure, documentary, Errol Morris, Abu Ghraib, digital photography
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© 2009 by the Regents of the University of California.
2009
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